Many fall for Cuba's music, its dance, the enduring strength and charm of its people. Award-winning actor Lee Brooks fell for one of its women. But how to pluck this forbidden fruit away from the so-called island frozen in time, where even romance can be illegal? Out-foxing the Castro regime's state military apparatus, only to be forced into a shady web of human smugglers and a months-long limbo at sea, Brooks and his Cuban princess show that not only does love conquer all, but that when it comes to Cuba, fact is often much wilder than any kind of fiction. Stealing Castro's Daughter is a tour de force of adventure romance set against the lush tapestry of Caribbean's crown jewel, at one of the most important junctures of the island's rich history. Surrounded by poverty, struggle and sacrifice, this is the real Cuba, and two people's real determination to overcome the odds and escape into love's lasting embrace. With its gritty hairpin turns, heartfelt honesty and sensual prose, Brooks captures the aching beauty of Cuba, and a desire that defies all obstacles. Read and be awed. Ben Corbett: Author of This is Cuba

Clippings of Latin American political, social and economic news from various English language newspapers.

Covers the period from 1790 to 1905 in The Times of London.

'A fascinating and illuminating story' Irvine Welsh 'Exhilarating Brit variation on Catch Me if You Can, which never misses an opportunity to up the sweaty-palmed suspense' Arena Elliot Castro was a gifted outsider, a working-class kid with ambitions who wanted to live the high life but lacked the money to do so. Until, at the tender age of sixteen, he worked out how to use the credit card system to his advantage. Identifying the banks' security weaknesses, utilising his intelligence and charm, Elliot embarked on a massive spending spree. From London to New York, Ibiza to Beverly Hills, he lived the fantasy life, staying in famous hotels, flying first class, blowing a fortune on designer clothes. Time and time again Elliot managed to wriggle free of the numerous authorities who were on his tail, while his life spiralled out of control. Meanwhile, from a police station at Heathrow, a detective was patiently tracking him down . . . With a likeable hero, filled with humour and as fast-paced as a thriller, Other People's Money is crime writing at its best.

The territory of Napa County, California, contains more than grapevines. The deepest roots belong to Wappo-speaking peoples, a group whose history has since been buried by the stories of Spanish colonizers, Californios (today's Latinos), African Americans, Chinese immigrants, and Euro Americans. Napa's history clearly is one of co-existence; yet, its schoolbooks tell a linear story that climaxes with the arrival of Euro Americans. In "This Land was Mexican Once," Linda Heidenreich excavates Napa's subaltern voices and histories to tell a complex, textured local history with important implications for the larger American West, as well. Heidenreich is part of a new generation of scholars who are challenging not only the old, Euro-American depiction of California, but also the linear method of historical storytelling—a method that inevitably favors the last man writing. She first maps the overlapping histories that comprise Napa's past, then examines how the current version came to dominate—or even erase—earlier events. So while history, in Heidenreich's words, may be "the stuff of nation-building," it can also be "the stuff of resistance." Chapters are interspersed with "source breaks"—raw primary sources that speak for themselves and interrupt the linear, Euro-American telling of Napa's history. Such an inclusive approach inherently acknowledges the connections Napa's peoples have to the rest of the region, for the linear history that marginalizes minorities is not unique to Napa. Latinos, for instance, have populated the American West for centuries, and are still shaping its future. In the end, "This Land was Mexican Once" is more than the story of Napa, it is a multidimensional model for reflecting a multicultural past.