Presents a collection of short stories featuring noir and crime fiction about Staten Island, New York, by such authors as Todd Craig, Linda Nieves-Powell, S. J. Rozan, and Patricia Smith.

“Nersesian’s extravagantly imagined dystopia relies—as did those in Philip Roth’s Plot Against America and Michael Chabon’s Yiddish Policemen’s Union—on an alternate, counterfactual history.”—The New York Times Book Review “Combining sci-fi space/time-warping, Unabomber-style political ranting and an overall air of goose-bump paranoia, this is one turbo-charged trip. . . . A sharp, strange read: Imagine William Burroughs and Philip K. Dick sharing a needle.”—Kirkus Reviews “Brilliant.”—Time Out New York Arthur Nersesian’s six previous novels (including The Fuck-Up, MTV/Pocket Books, which has sold over 100,000 copies) have focused on the tragicomedy of fin de siècle New York City. Here, in his boldest novel to date, Nersesian has broken through into a new landscape that at once fuses the real with the surreal, the psychological with the psychedelic. He lives in New York City.

This book chronicles how the "forgotten borough" has grappled with its uneasy relationship with the rest of the City of New York since the 1920s. The authors analyze the politics behind events that have shaped Staten Island.

Inspired by Geoffrey Chaucer's The Canterbury Tales, this collection of loosely linked tragicomic short stories travels across time to explore defining moments in the island's history, from the 2003 Staten Island Ferry crash and the New York City blackout to the growing opioid and heroin crisis, Eric Garner's murder, and the 2016 presidential election.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's (born 1948) Summer Days Staten Islandcreate a portrait of working-class culture in an often overlooked section of New York City. Captured on Osinski's large format 4x5 camera as she wandered the island, her candid portraits of strangers, vernacular architecture and quotidian scenes reveal an invisible landscape within reach of the thriving metropolis of Manhattan. The neighborhoods that Osinski captured are devoid of the skyscrapers, swarms of pedestrians and choking masses of traffic that are a short ferry ride away. Instead, she captures kids riding bikes on open, empty streets, suburban homes with neatly tended yards and the small-town feel of New York's least populous borough. Accompanying the series of images is an essay by Paul Moakley, Timemagazine's Deputy Director of Photography and Visual Enterprise.