THE STORY: A poignant and funny play about the ways, both sudden and slow, that lives can change irrevocably, says Variety . After Callie meets Sara, the two unexpectedly fall in love. Their first kiss provokes a violent attack that transfo

The Golden Phoenix, a restaurant on the Sunshine Coast. The last customers have left for the night, and Pearl can unwind. She¿s the quintessential matriarch ¿ balancing family, business, and her love of karaoke. Enter her daughters: Zoe, in the throes of online dating, making big life decisions. And Mei, a teenager, grappling with her identity in modern Australia. Of course they see the world differently to their mother. Pearl is the classic (hilarious) onslaught of embarrassing observations, constantly questioning her Westernised children. Tonight she reveals a secret that threatens to tear their family apart.

A novel about escape and connection, class, sex, and queer intimacy in the American Midwest. The oldest story: an insider pretends to be an outsider and receives praise for his empathy and imagination and intelligence. Maybe some asshole even says bravery. An outsider pretends to be an insider, is exposed as a fraud, a liar, and burned to the ground. In Ripcord, Nate Lippens continues his meditations on escape and connection, class, sex, and intimacy. Stuck in Milwaukee, the narrator cobbles together a living by bartending and catering weddings, enmeshed in a semiaffair with a younger, married man. Cruising apps while tallying his youthful romantic failures, he fantasizes about disappearance but finds both solace and frustration in his friendships with Charlie, an aging punk who was prominent in the 1990s Chicago queercore scene, and Greer, a painter who never broke through but continues making work.

Premier's speech notes for launching State Theatre Company's Season Two, Playhouse - Friday, May 9, 1986.

High school sweethearts Dakota and Tommy couldn't have more different parents. Joe and Mary are a conservative, middle-class couple, while Archie and Eudora are performance artists who have built a theater in their living room. When Joe and Mary meet Archie and Eudora for the first time, they unwittingly find themselves the stars of the couple's latest performance piece. But when the couples learn news of a comet heading straight toward Earth, the fourth wall is the least of their problems. But can they stop bickering long enough to tackle the great philosophical questions of life? Is the comet a sign from God or just gravity? And what the hell is Dadaism?