From New York Times bestselling author Ryan Winfield, a thrilling tale of friendship, betrayal, and adventure. The final chapter... After leaving the Isle of Man, Aubrey and Jimmy return to the Foundation to confront Hannah about her betrayal and to free the people of Holocene II only to find themselves facing new and more difficult challenges in a world where nothing is as it seems. Don't miss the epic conclusion you'll have to read yourself to believe. Destined to become a classic, The Park Service trilogy will inspire and delight readers of all ages.

"After discovering the horrific truth behind the Park Service, fifteen-year old Aubrey Van Houten has overthrown its leader with the help of his best friend Jimmy and his girlfriend Hannah. But their victory has left all three parentless and alone in a world where drones still hunt humans. And while the Park Service founder might be dead, he's far from gone. Now, Aubrey's quest to free his people will lead him even farther into a world where nothing is what it seems."--back cover.

"Aubrey Van Houten is a 15-year-old misfit who spends his time reading and dreaming about the good old days above. Believing the planet uninhabitable after a global nuclear war, Aubrey's people live deep underground, begrudgingly working assigned jobs until they can retire at 35 to a virtual reality paradise. Through a series of curious accidents, Aubrey stumbles onto the surface and discovers a real paradise off limits: a pristine planet where humans are hunted and killed by a mysterious Park Service. Now, Aubrey must decide between his only friend, his true love, and his imprisoned people, as he struggles to find the courage to stand up to evil, no matter how pretty its face" -- Amazon.com.

"Fresh out of drug rehab, an ambitious, young stockbroker struggles through the holidays with much more than sobriety when he is seduced into a high-finance game of sex, deception, and blackmail by a charming, sadistic San Francisco hedge-fund owner and his intoxicating wife."--P. [4] of cover.

Ken Follett's extraordinary historical epic, the Century Trilogy, reaches its sweeping, passionate conclusion. In Fall of Giants and Winter of the World, Ken Follett followed the fortunes of five international families—American, German, Russian, English, and Welsh—as they made their way through the twentieth century. Now they come to one of the most tumultuous eras of all: the 1960s through the 1980s, from civil rights, assassinations, mass political movements, and Vietnam to the Berlin Wall, the Cuban Missile Crisis, presidential impeachment, revolution—and rock and roll. East German teacher Rebecca Hoffmann discovers she’s been spied on by the Stasi for years and commits an impulsive act that will affect her family for the rest of their lives. . . . George Jakes, the child of a mixed-race couple, bypasses a corporate law career to join Robert F. Kennedy's Justice Department and finds himself in the middle of not only the seminal events of the civil rights battle but a much more personal battle of his own. . . . Cameron Dewar, the grandson of a senator, jumps at the chance to do some official and unofficial espionage for a cause he believes in, only to discover that the world is a much more dangerous place than he'd imagined. . . . Dimka Dvorkin, a young aide to Nikita Khrushchev, becomes an agent both for good and for ill as the United States and the Soviet Union race to the brink of nuclear war, while his twin sister, Tanya, carves out a role that will take her from Moscow to Cuba to Prague to Warsaw—and into history.

«Reading Thoreau's Journal, I discover any idea I've ever had worth its salt,» notes the American composer John Cage in 1968. Upon reading the words of nineteenth-century nature philosopher Henry Thoreau, Cage is immediately fascinated with the Transcendentalist's ideas, in particular his views on music and silence. Recognizing his own beliefs in Thoreau's writings, Cage began to rely heavily on the thoughts of the nineteenth-century man and implement them as the basis for his own compositions - both musical and written. Drawing on the complete oeuvres of Cage's and Thoreau's written works, this book surveys the intertextual relation between the writings of the two men. In the juxtaposition of these authors' aesthetics, this book reveals surprising overlaps in the thoughts of Cage and Thoreau.