Across central and eastern Europe after World War II, the newly established communist regimes promised a drastic social revolution that would transform the world at great pace and pave the way to a socialist future. Although many aspects of this utopian project are well known - such as fast-paced industrialisation, collectivisation and urbanisation - the regimes even sought to transform the ways in which their citizens interacted with each other and the world around them. Using a unique analytical model based on an amalgam of anthropology, sociology, history and extensive archival research, award-winning scholar Roman Krakovsky here considers the Czechoslovakian attempt to 'reinvent the world' - 'time' and 'space' included - in this all-encompassing way. Ranging from WWII to the fall of the Berlin Wall, his innovative analysis variously considers the impact of Stakhanovism, the impossible-to-achieve production targets intended to assert socialism's future potential; the attempt to replace Sunday's Christian attributes with socialist ones; and the profound changes brought about to the public and private spheres, including the culture of informing and the ways this was circumvented. Across a wide range of case studies Krakovsky demonstrates both the far-reaching extent of the communist vision and the inherent flaws and contradictions that gradually destabilised it. This in-depth perspective is vital reading for all scholars of twentieth century history and politics.

Across central and eastern Europe after World War II, the newly established communist regimes promised a drastic social revolution that would transform the world at great pace and pave the way to a socialist future. Although many aspects of this utopian project are well known - such as fast-paced industrialisation, collectivisation and urbanisation - the regimes even sought to transform the ways in which their citizens interacted with each other and the world around them. Using a unique analytical model based on an amalgam of anthropology, sociology, history and extensive archival research, award-winning scholar Roman Krakovsky here considers the Czechoslovakian attempt to 'reinvent the world' - 'time' and 'space' included - in this all-encompassing way. Ranging from WWII to the fall of the Berlin Wall, his innovative analysis variously considers the impact of Stakhanovism, the impossible-to-achieve production targets intended to assert socialism's future potential; the attempt to replace Sunday's Christian attributes with socialist ones; and the profound changes brought about to the public and private spheres, including the culture of informing and the ways this was circumvented. Across a wide range of case studies Krakovsky demonstrates both the far-reaching extent of the communist vision and the inherent flaws and contradictions that gradually destabilised it. This in-depth perspective is vital reading for all scholars of twentieth century history and politics.

The material effects of World War II, in combination with Eastern Europe's disappointingly undemocratic interwar history, placed radical social change on the postwar agenda across the region and shaped the debates that took place in immediate postwar Czech society. These debates adopted both a cultural form, in struggles over the meaning of the recent past and the nation's position on the East-West continuum, and a directly political form, in battles over the meaning of socialism. The Struggle for the Soul of the Nation examines the most important and politically resonant fields of historical and cultural debate in Czech society immediately after World War II. Bradley Abrams finds that communist public figures were largely successful in controlling debate over the nation's recent past--the interwar First Republic and the experiences of Munich and World War II--and over its location on the East-West continuum. This success preceded and was mirrored in the struggles over the political issue of the times: socialism. The communists engaged their political foes in the democratic socialist and Roman Catholic camps, and, surprisingly, found significant support from a major Protestant church. Abrams's careful reading of major publications re-creates a postwar mood sympathetic to radical social change, questioning the standard view of the communists' rise to power. This book not only contributes to the specific literature on Czech history, but also raises questions about the relationship between war and radical social change, about the communist takeover of the region, and about the role of intellectuals in public life.

Worlds of Dissent analyzes the myths of Central European resistance popularized by Western journalists and historians, and replaces them with a picture of the struggle against state repression as the dissidents themselves understood, debated, and lived it. In the late 1970s, when Czech intellectuals, writers, and artists drafted Charter 77 and called on their government to respect human rights, they hesitated to name themselves "dissidents." Their personal and political experiences--diverse, uncertain, nameless--have been obscured by victory narratives that portray them as larger-than-life heroes who defeated Communism in Czechoslovakia. Jonathan Bolton draws on diaries, letters, personal essays, and other first-person texts to analyze Czech dissent less as a political philosophy than as an everyday experience. Bolton considers not only Václav Havel but also a range of men and women writers who have received less attention in the West--including Ludvík Vaculík, whose 1980 diary The Czech Dream Book is a compelling portrait of dissident life. Bolton recovers the stories that dissidents told about themselves, and brings their dilemmas and decisions to life for contemporary readers. Dissidents often debated, and even doubted, their own influence as they confronted incommensurable choices and the messiness of real life. Portraying dissent as a human, imperfect phenomenon, Bolton frees the dissidents from the suffocating confines of moral absolutes. Worlds of Dissent offers a rare opportunity tounderstand the texture of dissent in a closed society.

Few Europeans in the twentieth century have been subject to the repeated buffetings by foreign powers, ideologically driven transformations and internal upheaval of the Czechs and the Slovaks. The period of Communist rule was complex, and those who gleefully overthrew the regime in 1989 were the very grandchildren of those who had voted for Communism with hope in the free elections of 1946. This concise account includes both political and social history, analysing half a century of Communism from at all strata of society. Kevin McDermott is equally intrigued by those in power and ordinary citizens, asking what motivates a young Czech worker-believer to join the Communist Party in the early 1950s, enrol in the People's Militia and remain in the party during the dark years of 'normalisation', yet end up welcoming the tearing down of the Berlin Wall in 1989. Using Czech and Slovak archival sources and the most recent historiography, McDermott challenges the still dominant 'totalitarian' paradigm and argues that the forty year communist experience in Czechoslovakia cannot simply be dismissed as a Soviet-imposed aberration.

State and Society in Post-Socialist Economies focuses on the reform economies of post-socialist Europe. It looks at how various projects of communism that emerged in have been and are still being dismantled and recomposed by alternative visions, institutions and practices of capitalist market economies and democratic polities.

The 1968 Soviet invasion of Czechoslovakia brought an end to the Prague Spring and its promise of "socialism with a human face." Before the invasion, Czech reformers had made unexpected use of television to advance political and social change. In its aftermath, Communist Party leaders employed the medium to achieve "normalization," pitching television stars against political dissidents in a televised spectacle that defined the times. The Greengrocer and His TV offers a new cultural history of communism from the Prague Spring to the Velvet Revolution that reveals how state-endorsed ideologies were played out on television, particularly through soap opera-like serials. In focusing on the small screen, Paulina Bren looks to the "normal" of normalization, to the everyday experience of late communism. The figure central to this book is the greengrocer who, in a seminal essay by Václav Havel, symbolized the ordinary citizen who acquiesced to the communist regime out of fear. Bren challenges simplistic dichotomies of fearful acquiescence and courageous dissent to dramatically reconfigure what we know, or think we know, about everyday life under communism in the 1970s and 1980s. Deftly moving between the small screen, the street, and the Central Committee (and imaginatively drawing on a wide range of sources that include television shows, TV viewers' letters, newspapers, radio programs, the underground press, and the Communist Party archives), Bren shows how Havel's greengrocer actually experienced "normalization" and the ways in which popular television serials framed this experience. Now back by popular demand, socialist-era serials, such as The Woman Behind the Counter and The Thirty Adventures of Major Zeman, provide, Bren contends, a way of seeing—literally and figuratively—Czechoslovakia's normalization and Eastern Europe's real socialism.