Racial progress in the United States has hit a wall, and the rise of white nationalism is but one manifestation of this. Most Americans continue to hope that the younger generation, which many believe manifests less racism and more acceptance of a multiracial society, will lead to more moderate racial politics—but this may not be happening. Overtly racist attitudes have declined, but anti-black stereotypes and racial resentment remain prevalent among white Americans. To add, the shape of racial attitudes has continued to evolve, but our existing measures have not evolved in step and cannot fully illuminate the challenge at hand. With Racial Stasis, Christopher D. DeSante and Candis Watts Smith argue persuasively that this is because millennials, a generational cohort far removed from Jim Crow and the Civil Rights era, lack sufficient understanding of the structural nature of racial inequalities in the United States and therefore also the contextual and historical knowledge to be actively anti-racist. While these younger whites may be open to the idea of interracial marriage or living next to a family of a different race, they often do not understand why policies like affirmative action still need to exist and are weary about supporting these kinds of policies. In short, although millennials’ language and rationale around race, racism, and racial inequalities are different from previous generations’, the end result is the same.

Giorgio Agamben investigates two founding moments in the formation of European power in its struggle with its most dangerous enemy: internecine civil strife.

BLOOD STASIS: CHINA'S CLASSICAL CONCEPT IN MODERN MEDICINE covers the area of blood stasis in Traditional Chinese Medicine, drawing from a huge range of original Chinese material. The book discusses many Western diseases including diabetes, gynecological disorders, stroke, tumors, myocardial infarction, and the interaction of these with other pathological factors. The book also provides both classical and modern differentiations and treatments, including both herbs and acupuncture in all categories with appropriate case histories. Thoroughly examines the concepts and processes of blood stasis in Traditional Chinese Medicine.Draws on original translations from Chinese sources ranging from the classical era through modern times.Describes, in full, the historical perspective of Chinese Medicine's presentation of blood stasis theory and also includes modern research for a balanced view of the effectiveness of blood stasis.Highlights recent detailed analysis of blood stasis and herbs.Incorporates real-life cases helped by blood stasis therapy.

Ennek Trilogy: Book One Praesidium is the most prosperous city-state in the world, due not only to its location at the mouth of a great bay but also to its strict laws, stringently enforced. Ordinary criminals become bond-slaves, but the worst punishment—to be suspended in a dreamless frozen state known as Stasis—is doled out by the wizard and reserved for only the most serious of traitors. Ennek is the youngest son of Praesidium’s strict Chief. Though now a successful portmaster, Ennek grew up without much of a purpose, unable to fulfill his true desires and always skating on the edge of the law. But he is also haunted by the plight of one man, Miner, a prisoner for whom Stasis appears to be a truly horrible fate. If Ennek is to save Miner, he must explore Praesidium’s deepest secrets as well as his own.

Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's Empire (1964), the Fluxus work Disappearing Music for Face (1965), Michael Snow's So Is This (1982), and Derek Jarman's Blue (1993), he shows how motionless films defiantly showcase the static while collapsing the boundaries between cinema, photography, painting, and literature. Analyzing four categories of static film--furniture films, designed to be viewed partially or distractedly; protracted films, which use extremely slow motion to impress stasis; textual films, which foreground the static display of letters and written words; and monochrome films, which display a field of monochrome color as their image--Remes maps the interrelations between movement, stillness, and duration and their complication of cinema's conventional function and effects. Arguing all films unfold in time, he suggests duration is more fundamental to cinema than motion, initiating fresh inquiries into film's manipulation of temporality, from rigidly structured works to those with more ambiguous and open-ended frameworks. Remes's discussion integrates the writings of Roland Barthes, Gilles Deleuze, Tom Gunning, Rudolf Arnheim, Raymond Bellour, and Noel Carroll and will appeal to students of film theory, experimental cinema, intermedia studies, and aesthetics.

Paradoxes of Stasis examines the literary and intellectual production of the Francoist period by focusing on Spanish writers following the Spanish Civil War: the regime’s supporters and its opponents, the victors and the vanquished. Concentrating on the tropes of immobility and movement, Tatjana Gajić analyzes the internal politics of the Francoist regime and concurrent cultural manifestations within a broad theoretical and historical framework in light of the Greek notion of stasis and its contemporary interpretations. In Paradoxes of Stasis, Gajić argues that the combination of Francoism’s long duration and the uncertainty surrounding its ending generated an undercurrent of restlessness in the regime’s politics and culture. Engaging with a variety of genres—legal treatises, poetry, novels, essays, and memoir—Gajić examines the different responses to the underlying tensions of the Francoist era in the context of the regime’s attempts at reform and consolidation and in relation to oppositional writers’ critiques of Francoism’s endurance. By elucidating different manifestations of stasis in the politics, literature, and thought of the Francoist period, Paradoxes of Stasis reveals the contradictions of the era and offers new critical tools for understanding their relevance.