Elegant, brutal, and profound—this magnificent debut captures the grit and glory of modern Hawai'i with breathtaking force and accuracy. In a stunning collection that announces the arrival of an incredible talent, Kristiana Kahakauwila travels the islands of Hawai'i, making the fabled place her own. Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.

Native Hawaiians arrived in the Pacific Northwest as early as 1787. Some went out of curiosity; many others were recruited as seamen or as workers in the fur trade. By the end of the nineteenth century more than a thousand men and women had journeyed across the Pacific, but the stories of these extraordinary individuals have gone largely unrecorded in Hawaiian or Western sources. Through painstaking archival work in British Columbia, Oregon, California, and Hawaii, Jean Barman and Bruce Watson pieced together what is known about these sailors, laborers, and settlers from 1787 to 1898, the year the Hawaiian Islands were annexed to the United States. In addition, the authors include descriptive biographical entries on some eight hundred Native Hawaiians, a remarkable and invaluable complement to their narrative history. "Kanakas" (as indigenous Hawaiians were called) formed the backbone of the fur trade along with French Canadians and Scots. As the trade waned and most of their countrymen returned home, several hundred men with indigenous wives raised families and formed settlements throughout the Pacific Northwest. Today their descendants remain proud of their distinctive heritage. The resourcefulness of these pioneers in the face of harsh physical conditions and racism challenges the early Western perception that Native Hawaiians were indolent and easily exploited. Scholars and others interested in a number of fields—Hawaiian history, Pacific Islander studies, Western U.S. and Western Canadian history, diaspora studies—will find Leaving Paradise an indispensable work.

In paradise nothing is simple??not even murder.For Jessica, this time it's personal.The knock at the door shook her from a deep sleep. When she saw the cops, Jessica knew why they were there. As a LA Detective, she'd been on the other side of the door plenty of times.Someone she loved was dead.Time slowed. Her heart sank. They knew she knew.Before they could get to the news, her mind raced. Growing up in Hawaii, half of her family in law enforcement and the other half gang members, she'd known the darker side of life.As the detectives explained why they'd come, Jessica was only partly listening until they said it was her father who'd died??in a plane wreck.And in that moment, the instinct to grieve was gone. He was meticulous in his maintenance. She didn't believe it was an accident.Who murdered her father?Jessica was going home to Hawaii.You'll love this gripping thriller with a taste of romance, because of the twists, turns, and complex characters.

The acclaimed Nobel Prize winner challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation on race, religion, gender, and a far-off past that is ever present—in prose that soars with the rhythms, grandeur, and tragic arc of an epic poem. “They shoot the white girl first. With the rest they can take their time.” So begins Toni Morrison’s Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage. “A fascinating story, wonderfully detailed. . . . The town is the stage for a profound and provocative debate.” —Los Angeles Times

Tropic Star Lodge is a veritable paradise cut out of the side of a mountain at the edge of the Darien Jungle on the Pacific coast of Panama. Home to some 170 game fish records, the lodge can only be reached by boat or plane, the nearest road being over 100 miles away. World-renowned game fish artist Guy Harvey tells the story of Tropic Star in words and pictures.

In 1960 twelve-year-old Peggy Sue and her family move to the island of Oahu, and she is finding it anything but paradise, because from the first day at school she is bullied and made fun of by the Hawaiian children, and she is worried sick about her beloved cat who is in manditory quarantine--and then the tsunami hits Hilo where her parents have gone on business.