Jack Sutherland, the narrator and protagonist of this memoir has, you might say, led a charmed life in the face of seeming damnation. A confirmed alcoholic in his early teens, by his twenties he was PA and bodyguard to the Hollywood stars most notably Michael Stipe, Ru Paul and Mickey Rourke. His work took him to exotic destinations around the world and bizarre encounters and requests. It also led him back to a smorgasbord of lethal addictions: alcohol, marijuana, ecstasy and perhaps most damaging of all crystal meth and the crazed chem sex that characterises its use. On the shores of death's coastline, a nine stone skeleton in a frame that once boasted the shape and tone of a bodybuilder, Jack is saved. By his father, one of the literary world's most esteemed personalities: John Sutherland.A son's memoir told through the prism and prose of a father will surely take its place among the classics of contemporary addiction and recovery stories like A Portrait of an Addict as a Young Man and Another Bullshit Night in Suck City. Stars, Cars & Crystal Meth lifts the lid on the shadow world of the Hollywood PA with grim but ultimately inspiring honesty.

Narratives of Addiction: Savage Usury is the first book to argue, in the face of more than a century’s received wisdom, that drug addiction and alcoholism are undoubtedly evidence of individual moral flaws. However, the sense of morality that underlies this book is completely severed from Christianity. Instead, it is influenced in particular by the writings of the nineteenth-century German philosophers Arthur Schopenhauer and Frederick Nietzsche, both of whom insisted that a genuine morality was actually incompatible with Christianity. The sequence of chapters moves from addictions on the streets, into rehab clinics, and finally into the meetings of Alcoholics Anonymous and Narcotics Anonymous. This is the first book to argue that the search for pleasure drives alcoholism and drug addiction and not the “numbing of pain”. Throughout the book I reject the claims of the medical profession, as embodied by the American Medical Association, that drug addiction and alcoholism are diseases, and further argue that they do not have the authority to tell hundreds of millions of Americans that addiction is not a moral failing. I also query throughout the book the claims of neuroscience, psychology, and the social sciences that addictions to alcohol and drugs are attributable to causes that their specific disciplines are best suited to understand. I argue that there is nothing complex about addiction: it is a simple behavioural disorder. The language routinely employed to discuss addiction is similarly not complex, just confused, and so it is also the rhetoric of addiction discourse, especially its use of simile, metaphor and euphemism, that this book evaluates.

The Naked Tuck Shop is a unique record of a period long before ‘gaiety’ was legal in any form in the United Kingdom. This memoir of a 1950s grammar-school boy’s navigation through his emerging gayness, lifts the lid on his discovery of a vast clandestine world – that stretched from members of parliament to long distance lorry drivers. A chance meeting with two local artists while ‘cottaging’ provided the springboard to a Soho demimonde that featured Muriel Belcher’s Colony Room and a cast of characters that included Francis Bacon, Angus Wilson and Tom Driberg. While his friendship with Dudley, Bishop of Colchester, led to encounters with dodgy clerics and Margery Allingham, the crime writer queen. The author suggests that the ‘cottage’, long before later legal venues like gay pubs and discos arrived, was the only game in town for an underage provincial teenager. In a contemporary Britain starved of ‘public conveniences’ it is easy to forget their ubiquity in those times. The late Victorian ‘spend a penny’ brigade had decreed the building of these municipal marvels throughout the land, and fortunately for him the local worthy burghers had seen to it that Colchester was well endowed. Alongside his early adventures in ‘queer society’ Tim Hughes remembers with affection a group of talented school friends, and how some of them who were also friends of Dorothy, had their lives cut short by the arrival of the gay plague.

The Sunday Times bestseller. Stephanie Pratt is the consummate reality star. Since 2007, her life has been lived almost as much on the small screen as off it, and constantly analysed in gossip columns. In Made in Reality, Stephanie gives an exclusive insight into the trials and tribulations of life on reality TV, taking us behind the scenes of The Hills, Made in Chelsea and even the Big Brother House. In her tell- all autobiography, nothing is off-limits, from the drama of her relationship with Spencer Matthews to her issues with her brother Spencer Pratt. For the first time, she shares her struggles with drug addiction, eating disorders, and the pressures of fame in the internet age. Inspiring, fascinating, and insightful throughout, this is an honest account of the truth behind reality.

Written with heartbreaking insight and wicked humor, "Leaving Dirty Jersey" chronicles Salant's descent from wealth and privilege into a year of crystal meth addiction and crime.

Henry Dane, Police Chief of a small New Mexico ski town, is called out to investigate two deaths on the property of a local hermit, but what he finds is beyond his ability to explain. But when he begins to hear that similar cases are being reported in his state, he begins to realize that these are no simple murders, and as he gets closer and closer to the truth, Dane must confront a terrible new reality: that a new plague is bringing its victims back from the dead, and that if something is not done, it could spell death, and worse, for everything he holds dear. Aided by his loyal officers and a few friends, Chief Dane must prepare for a showdown between the living and the dead, but whatever happens, the world as Dane knows it may already be gone forever.

Traces the author's twenty-year stint as crystal meth addict, from his lonely childhood in Iowa with his grandmother, an alcoholic artist, to his wild acid trips and experiences navigating through the dark underworld of cookers, users, club kids, dealers, and other unforgettable characters. Original.