The councilors had placed a book upon the table, its cover pale blue edged in silver. The title was The Theosophon. They slid it towards me. Philomena Wilcox, Ph.D., retired professor of music, pianist, passionate devotee of Russian composers like Scriabin and Rachmaninov, thinks she is merely editing a series of prolix journals by the desert recluse Blaise. One day in 2029 she took delivery of 7,000 pages of his arcane diary entries spanning a 20-year period. His story what he thinks and writes about is exceedingly odd, mystical, and perplexing. He is anticipating a planetary event to take place in 2033. Soon enough, Philomena discovers she, impossibly, is part of this story, in fact, will be a keystone in this epochal event. It's as if through the journal pages Blaise talks directly to her and pulls her into his world of wisdom-angels, geomantic patterns, and designer planets. The pages are encoded with activation triggers. Over a three-year period, she starts to remember her true story, her astonishing past. It's a nonstop tutorial in the Mysteries. Taught by the human Blaise and his angelic mentors, also called Blaise, seemingly right now, in the present moment. Except upwards of 35 years or more separate them in the world of linear time. Her familiar world starts to fall apart. The event is called the Theosophon. Blaise writes about it, but she designed it. That's startling enough, but Philomena is astonished to remember that she designed it eons ago in another galaxy. The Earth was created as a performance stage for it. The Theosophon is a multidimensional musical event involving the collective consciousness of humanity, the Earth, and the spiritual world. The overture of the fulfillment of the purpose of the Earth and humanity. Yes, Philomena is an integral part of this unique event, but it will cost her more than she ever thought possible.

Author Syrie James (The Lost Memoirs of Jane Austen) offers readers a breathtaking new perspective on Bram Stoker’s classic tale of the king of the vampires with Dracula, My Love. In these “Secret Journals of Mina Harker,” the object of Dracula’s desire relates for the very first time the shocking story of her scandalous seduction and sexual rebirth. This is not the chaste vampire romance of Twilight—Dracula, My Love celebrates a passionate obsession in all its hot and sensuous glory.

This book considers the practices and techniques fans utilize to interact with different aspects and elements of food cultures. With attention to food cultures across nations, societies, cultures, and historical periods, the collected essays consider the rituals and values of fan communities as reflections of their food culture, whether in relation to particular foods or types of food, those who produce them, or representations of them. Presenting various theoretical and methodological approaches, the anthology brings together a series of empirical studies to examine the intersection of two fields of cultural practice and will appeal to sociologists, geographers and scholars of cultural studies with interests in fan studies and food cultures.

For more than 30 years, Yoga Journal has been helping readers achieve the balance and well-being they seek in their everyday lives. With every issue,Yoga Journal strives to inform and empower readers to make lifestyle choices that are healthy for their bodies and minds. We are dedicated to providing in-depth, thoughtful editorial on topics such as yoga, food, nutrition, fitness, wellness, travel, and fashion and beauty.

This book presents a perspective of network analysis as a tool to find and quantify significant structures in the interaction patterns between different types of entities. Moreover, network analysis provides the basic means to relate these structures to properties of the entities. It has proven itself to be useful for the analysis of biological and social networks, but also for networks describing complex systems in economy, psychology, geography, and various other fields. Today, network analysis packages in the open-source platform R and other open-source software projects enable scientists from all fields to quickly apply network analytic methods to their data sets. Altogether, these applications offer such a wealth of network analytic methods that it can be overwhelming for someone just entering this field. This book provides a road map through this jungle of network analytic methods, offers advice on how to pick the best method for a given network analytic project, and how to avoid common pitfalls. It introduces the methods which are most often used to analyze complex networks, e.g., different global network measures, types of random graph models, centrality indices, and networks motifs. In addition to introducing these methods, the central focus is on network analysis literacy – the competence to decide when to use which of these methods for which type of question. Furthermore, the book intends to increase the reader's competence to read original literature on network analysis by providing a glossary and intensive translation of formal notation and mathematical symbols in everyday speech. Different aspects of network analysis literacy – understanding formal definitions, programming tasks, or the analysis of structural measures and their interpretation – are deepened in various exercises with provided solutions. This text is an excellent, if not the best starting point for all scientists who want to harness the power of network analysis for their field of expertise.

From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of “respectability” has historically been used to police black women’s behaviors. The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors—black female scholars from a variety of disciplines—provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce. Rather than simply dismissing reality television as “trash,” this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes “trashiness” and “respectability.” Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre’s representations and their effects on the black community.