“A prodigious work of unmatched interdisciplinary scholarship” on Maya astronomy and religion (Journal of Interdisciplinary History). Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Pre-Columbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Pre-Columbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture. “Milbrath has given us a comprehensive reference work that facilitates access to a very broad and varied body of literature spanning several disciplines.” ―Isis “Destined to become a standard reference work on Maya archeoastronomy . . . Utterly comprehensive.” —Andrea Stone, Professor of Art History, University of Wisconsin, Milwaukee

Sharing many common beliefs, deities, and rituals, the religion of the Maya, Aztec, and Inca was rooted in both the earth and the sky, the rhythms of the seasons, and the movements of the sun, moon, and stars. Readers will meet rain and sun gods, corn gods and fertility gods, earth mothers who are both creators and destroyers, and even a feathered serpent. Lavish primary-source images of arts and artifacts are paired with text that is both information-packed and enthralling. Readers who enter this pantheon are in for an awe-inspiring cultural journey through the divine mysteries of time and space.

Mayan gods had affinities and aspects that caused them to merge with one another in ways that seem unbounded. There is a massive array of supernatural characters in the Maya religious tradition, only some of which recur with regularity. Good and evil traits are not permanent characteristics of Maya gods, nor is only "good" admirable. What is inappropriate during one season might come to pass in another since much of the Maya religious tradition is based on cycles and not permanence. Schellhas explains the Mayan gods that represent the natural elements, such as life and death, the sun and moon, giving technical and anthropological evaluation of each god image. He explains the gods worshipped by the Mayans and how they interplay into the daily lives of these spiritual, yet fierce, people. The Maya is a Mesoamerican civilization, noted for the only known fully developed written language of the pre-Columbian Americas, as well as for its art, architecture, and mathematical and astronomical systems. Initially established during the Pre-Classic period (c. 2000 BC to AD 250), according to the Mesoamerican chronology, many Maya cities reached their highest state of development during the Classic period (c. AD 250 to 900), and continued throughout the Post-Classic period until the arrival of the Spanish.

The Mayan people were natural storytellers, and their imagination knew no bounds. They took the traditional Mesoamerican versions of creation and the gods of the universe and molded them into their own, adding and shaping their unique version of mythology and folktales. This left us with a significant pantheon of gods and goddesses, each with a memorable and captivating story. The Mayans had an image of the universe and their place in it, and they told stories of gods and heroes that rival Greek Mythology.

Presents a brief overview of these cultures, their customs, religion, gods, heroes, and legends.

Fossil Gods offers a comparative analysis of some of the greatest gods of antiquity, including Inanna, Horus, and Thor. The basic thesis holds that many mythological traditions surrounding these gods can only be understood by reference to extraordinary planetary events.