1. Unending Quest 2. Gangotri of Gangrene 3. Values versus Power 4. The Gods Who Failed 5. If the "Emergency" had Lasted Longer 6. A New Kind of Leader? 7. Two Bogeys 8. An Abode for Rama 9. Gujarat2002 10. Foreign Policy: First Fifty Years 11. Soft State Syndrome 12. The Israeli Connection 13. Water Management 14. Corruption Incorporated 15. Punishing the Corrupt? 16. The Caste System 17. Jharkhand and its Sisters 18. Terrorist Jitters 19. The Kashmir "Problem" 20. The Kargil 'War' 21. Politics of Presidential Election Epilogue Index

Why rely on fate when you can rewrite the stars? In this sparkling romantic comedy, one woman decides to tinker with the horoscopes of the man of her dreams. “A bright, brilliant, joyful love story.”—Josie Silver, #1 New York Times bestselling author of One Day in December NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE When childhood sweethearts Justine (Sagittarius and serious skeptic) and Nick (Aquarius and true believer) bump into each other as adults, a life-changing love affair seems inevitable. To Justine, anyway. Especially when she learns Nick is an astrological devotee, whose decisions are guided by the stars, and more specifically, by the horoscopes in his favorite magazine. The same magazine Justine happens to write for. As Nick continues to not fall headlong in love with her, Justine decides to take Nick’s horoscope, and Fate itself, into her own hands. But, of course, Nick is not the only Aquarius making important life choices according to what is written in the stars. Charting the ripple effects of Justine’s astrological meddling, Star-Crossed is a delicious, intelligent, and affecting love story about friendship, chance, and how we all navigate the kinds of choices that are hard to face alone. Praise for Star-Crossed “Swoon-worthy . . . a smart, sweet love story about friendship, destiny, and the power of choice.”―Bustle “[A] juicy romance novel.”―Good Housekeeping “Enchanting . . . this book will capture your attention and keep you entertained from the first page to the last.”—BuzzFeed “This cleverly structured first outing from the pseudonymous Darke will appeal to fans of romantic comedy, astrology, and chaos. Utterly charming and ripe for development as a film.”―Booklist “Winning . . . Unpretentious, well-drawn characters and the fresh twist on the childhood sweethearts reunited setup make this perfect for fans of romantic comedies.”―Publishers Weekly “Darke creates a world of stargazers whose destinies eventually collide. . . . Funny and enticing.”―Library Journal

Twelve-year-old Mattie wrestles with her crush on Gemma as they participate in their school production of Romeo and Juliet in what School Library Journal calls “a fine choice for middle school libraries in need of an accessible LGBTQ stories.” Twelve-year-old Mattie is thrilled when she learns the eighth grade play will be Romeo and Juliet. In particular, she can’t wait to share the stage with Gemma Braithwaite, who has been cast as Juliet. Gemma is brilliant, pretty—and British!—and Mattie starts to see her as more than just a friend. But Mattie has also had an on/off crush on her classmate Elijah since, well, forever. Is it possible to have a crush on both boys AND girls? If that wasn’t enough to deal with, things offstage are beginning to resemble their own Shakespearean drama: the cast is fighting, and the boy playing Romeo may not be up to the challenge of the role. And due to a last-minute emergency, Mattie is asked to step up and take over the leading role—opposite Gemma’s Juliet—just as Mattie’s secret crush starts to become not-so-secret in her group of friends. In this funny, sweet, and clever look at the complicated nature of middle school romance, Mattie learns how to become a lead player in her own life.

This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare. It interrogates Shakespeare’s ‘universality’ from Asian perspectives: how this has been modified or even replaced by the ‘global bard’ as a recognisable brand, and how Asian Shakespeares have contributed to or subverted this process by both facilitating the worldwide dissemination of the bard’s plays and challenging and resisting the very templates through which they become globally legible. Critically acclaimed Asian productions have prominently figured at premier Western festivals, and popular Asian appropriations like Bollywood, manga and anime have created new kinds of globally accessible Shakespeare. Essays in this collection engage with the emergent critical issues: the efficacy of definitions of the ‘local’, ‘global’, ‘transnational’ and ‘cosmopolitan’ and of the liminalities and mobilities in between. They further examine the politics of ‘West’ and ‘East’, the evolving markers of the ‘Asian’ and the equation of the ‘glocal’ with the ‘Asian’; they attend to performance and archiving protocols and bring the current debates on translation, appropriation, and world literature to speak to the concerns of global and transnational Shakespeare. These investigations analyse recent innovative Asian theatre productions, popular cinematic and manga appropriations and the increasing presence of Shakespeare in the Asian digital sphere. They provide an Asian standpoint and lens in rereading the processes of cultural globalisation and the mobilisation of Shakespeare.

Ashling O'Shaughnessy, a renowned English journalist, comes to Nigeria on an assignment. A powerful American clique desperately needs something she had inherited. Wariebe Luckison, a charismatic version of Niger Delta's Robin Hood, finds himself at a crossroad - being a patriotic freedom fighter and falling heedlessly in love. These star-crossed lovers are destined to reshape the ill-fated situation that has brought them together. Their journey to true romance must cross the hurdles of bi-racialism, assassination attempts, and benevolent insurgency, climaxing in the unexpected...An unexpected romance.

The Battle for Pakistan showcases a marriage of convenience between unequal partners. The relationship between Pakistan and the United States since the early 1950s has been nothing less than a whiplash-inducing rollercoaster ride. Today, surrounded by hostile neighbors, with Afghanistan increasingly under Indian influence, Pakistan does not wish to break ties with the United States. Nor does it want to become a vassal of China and get caught in the vice of a US-China rivalry, or in the Arab-Iran conflict. Internally, massive economic and demographic challenges as well as the existential threat of armed militancy pose huge obstacles to Pakistan's development and growth. Could its short-run political miscalculations in the Obama years prove too costly? Can the erratic Trump administration help salvage this relationship? Based on detailed interviews with key US and South Asian leaders, access to secret documents and operations, and the author’s personal relationships and deep knowledge of the region, this book untangles the complex web of the US-Pakistani relationship and identifies a clear path forward, showing how the United States can build better partnerships in troubled corners of the world.

A new historical approach to Indian English literature Mary Ellis Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson re-creates the historical webs of affiliation and resistance that were experienced by writers in colonial India—writers of British, Indian, and mixed ethnicities. Advancing new theoretical and historical paradigms for reading colonial literatures, Indian Angles makes accessible many writers heretofore neglected or virtually unknown. Gibson recovers texts by British women, by nonelite British men, and by persons who would, in the nineteenth century, have been called Eurasian. Her work traces the mutually constitutive history of English-language poets from Sir William Jones to Toru Dutt and Rabindranath Tagore. Drawing on contemporary postcolonial theory, her work also provides new ways of thinking about British internal colonialism as its results were exported to South Asia. In lucid and accessible prose, Gibson presents a new theoretical approach to colonial and postcolonial literatures.