Stanley and his friends think the new kid at school acts like a big scary wolf. But a visit with some real wolves teaches Stanley and his friends just how wrong they were about the animals-and their new classmate!

This is the third volume of articles based on years of research into local history. previously printed weekly in the local paper. They cover many subjects, many of them unique, all of them relevant to Barlick. 508 pages and over 250 illustrations.

Originally published in hardcover in 2021 by Simon & Schuster.

George Catlin's paintings and the vision behind them have become part of our understanding of a lost America. We see the Indian past through Catlin's eyes, imagine a younger, fresher land in his bright hues. But he spent only a few years in what he considered Indian country. The rest of his long life?more than thirty years?wasødevoted largely to promoting, repainting, and selling his collection?in short, to seeking patronage. Catlin and His Contemporaries examines how the preeminent painter of western Indians before the Civil War went about the business of making a living from his work. Catlin shared with such artists as Seth Eastman and John Mix Stanley a desire to preserve a visual record of a race seen as doomed and competed with them for federal assistance. In a young republic with little institutional and governmental support available, painters, writers, and scholars became rivals and sometimes bitter adversaries. Brian W. Dippie untangles the complex web of interrelationships between artists, government officials, members of Congress, businessmen, antiquarians and literati, kings and queens, and the Indians themselves. In this history of the politics of patronage during the nineteenth century, luminaries like Henry Rowe Schoolcraft, Henry H. Sibley, John James Audubon, Alfred Jacob Miller, and Karl Bodmer are linked with Catlin in a contest for the support of the arts, setting a precedent for later generations. That the contenders "produced so much of enduring importance under such trying circumstances," Dippie observes,"was the sought-for miracle that had seemed to elude them in their lives."

Stanley doesn't want to go to sleep-ever! He wants to play all night long. But when he and Dennis learn that even grizzly bears need their rest, Stanley realizes just how important it is to get your zzz's.

Worzel is still an enormous Lurcher with 'issues.' Now in his 4th year with his forever family, life is changing. As the children grow up and spread their wings, Worzel's world should be more peaceful. As life rolls on, a changing of the guard brings new challenges and whilst Worzel might be ready for an easy life, his family has other plans ...

A worldwide struggle between democracy and authoritarianism set against a backdrop of global surveillance capitalism is unmistakable. Examples range from Myanmar, China, and the Philippines to Hungary, Turkey, Russia, and the United States. Fascism, Vulnerability, and the Escape from Freedom offers a multidisciplinary analysis drawing on psychology and literature to provide readers with a deeper understanding of the mechanisms that drive people to abandon democracy in favor of vertically organized authoritarianism and even fascism. In a comparative study of texts selected for their insights and occasional blind spots regarding fascist experiments of the past 100 years, Delogu examines fascism’s exploitation of fear (of change, loss, and death), disruption, and extreme inequality. The book offers an accessible and persuasive argument linking fascist authoritarianism, also called “right-wing populism,” to certain underlying conditions, such as a rise in us-versus-them thinking; distrust or simple apathy regarding democratic institutions, norms, and results; the vulnerabilities that result from extreme inequality (economic, social, racial); and addictions and codependency. Stressful events, such as a pandemic, an environmental disaster, or deep recession aggravate these harmful factors and make the fascist temptation, including the use of violence, almost irresistible. Delogu’s distinctive examination of texts that plumb the unconscious reveal linkages between actions and unavowable motives that purely historical and theoretical studies of fascism leave out. Erich Fromm’s neglected 1941 classic Escape from Freedom serves as a key reference in Delogu’s study, as does Robert Paxton’s authoritative history, The Anatomy of Fascism (2004). After underscoring the argument and urgent context around these two studies (Hitler’s Germany and George W. Bush’s post-9/11 America), Delogu examines novels, a diary, memoirs, and manifestos to show how vulnerability forces individuals to choose between exclusionary fascist authoritarianism and inclusive, collaborative democracy.