"Stanford White (1853-1906), arguably the most celebrated American architect of his day, was the visionary genius of the illustrious architecture firm McKim, Mead White. A defining figure of the Gilded Age, White lived an extravagant life, which ended prematurely in a sensational death. His celebrity as a result was such that perceptions of the man have to some degree distracted attention from an extraordinary body of work. Now, more than a century since his passing, the enduring quality of White's architectural legacy becomes ever more apparent as the circumstances of his life and death fade to the background. In acknowledgment of this legacy, Stanford White Architect comprehensively explores White's sumptuously rich oeuvre - from the residences he designed for himself and his wife, Bessie; to the extraordinary and opulent houses he designed for others; to those works beyond the residential. Stanford White Architect will serve for generations to come as a vivid testament to a resplendent life in architecture."--From book jacket.

Baker, working with previously unpublished materials, breathes new life into this legendary man who dominated American architecture at the turn of the twentieth century and gained infamy in the sensational manner of his death and the subsequent trial of his murderer. 50 black-and-white photos.

In this extraordinary story the author digs and digs until she finds the whole story. Along the way she discovers that not only was her great-grandfather murdered by the husband of Evelyn Nesbitt, a showgirl at the time, who was enraged with jealously, only to be acquitted on the grounds of insanity, but that the repercussions of this event and of her great-grandfather's behaviour on the rest of the family and its subsequent generations was devastating. Throughout the gripping narrative snippets of information about Stanford are woven into the incredible tale of the author's own upbringing and the whole family. By the end the story of the murder and its sordid circumstances are revealed. A beautifully written and extraordinary powerful book.

Evelyn Nesbit was a popular American chorus girl, an artists’ model, and an actress. In the early part of the Twentieth century, the figure and face of Evelyn Nesbit were everywhere, appearing in mass circulation newspaper and magazine advertisements, on souvenir items and calendars, making her a cultural celebrity. But it was on the evening of June 25, 1906 that she gained worldwide notoriety, when her husband, multi-millionaire Harry Kendall Thaw, shot and murdered architect and New York socialite Stanford White on the rooftop theatre of Madison Square Garden—leading to what the press would call “The Trial of the Century”. The Harry K. Thaw—Evelyn Nesbit—Stanford White story remains one of the great crime sensations of the Twentieth Century. Stanford White, an enormously rich man of high social position and supposedly blameless reputation, nevertheless led a private life that was at variance with his public reputation. His lavish stag dinner parties were well-known, and later played an important part in the famous murder trial. A gripping read.

As colorful as the buildings he designed, Stanford White infused the architectural scene of the late nineteenth and early twentieth centuries with his flamboyant American-Renaissance style. From private homes to public institutions and religious structures, White's inimitable imprint can be seen in buildings throughout New York and the Eastern shore. Here, in this short-form book, is White's dramatic and surprising story.

The story of Stanford White--his scandalous affair with the 16-year-old actress Evelyn Nesbit, his murder in 1906 by her husband, the millionaire Harry K. Thaw, and the hailstorm of publicity that surrounded "the trial of the century"--has proven irresistable to generations of novelists, historians, and biographers. The premier neoclassical architect of his day, White's legacy to the world were such masterpieces as New York's original Madison Square Garden, the Washington Square Arch, and the Players, Metropolitan, and Colony clubs. He was also responsible for the palaces of such clients as the Whitneys, Vanderbilts, and Pulitzers, the robber barons of the Gilded Age whose power and dominance shaped the nation in its heady ascent at the turn of the century. As the century rolled on, however, the story of Stanford White and Evelyn Nesbit came to be viewed as glamorous and romantic, the darker narrative of White's out-of-control sexual compulsion obscured by time. Indeed, White's wife Bessie and his son Larry remained adamantly silent about the matter for the duration of their lives, a silence that reverberated through the next four generations of their extended family. Suzannah Lessard is the eldest of Stanford White's great grandchildren. It was only in her 30's that she began to sense the parallels between the silence about her great-grandfather's life and the silence about her own perilous experience as a little girl in her own home. Thus she became drawn to the remarkable history of her family in order to uncover its hidden truths, and in so doing to liberate herself from its enclosure at last. The result is a multi-layered memoir of astonishing elegance and power, one that, like a great building, is illumined room by room, chapter by chapter, until the whole is clearly seen.

For forty years (1880–1920), the now-legendary architectural firm led by Charles Follen McKim, William Rutherford Mead and Stanford White was responsible for many of the finest buildings in America. The Boston Public Library, Pennsylvania Station in New York, and the campus of Columbia University are among the national landmarks designed by these men and their partners, Bert Fenner and William Mitchell Kendall. This anthology of plans, elevations, and details of major works of McKim, Mead, and White is an invaluable reference source and inspiration for the student of architecture. As Allan Greenberg writes in his introduction: “The legacy of [McKim, Mead, and White] is so vast that . . . both its outer boundaries and its inner characteristics are only barely discernible. As architects of some of the most important buildings in the history of American architecture, the work of the office of McKim, Mead, and White reached a level of quality which has never been equaled by any large office before or after.” Charles Follen McKim cofounded the firm with William Rutherford Mead in 1878, along with his brother-in-law William B. Bigelow. One year later, Bigelow left the firm and was replaced by young Stanford White. Among the commissions that McKim worked on were the Villard Houses, the Boston Public Library, the Chicago World’s Fair Columbian Exposition and the Agriculture Building, the Columbia University campus, Symphony Hall in Boston, alterations to the White House, the Pierpont Morgan Library, Pennsylvania Station, and the University Club in New York. Stanford White, who, ironically, had replaced Charles McKim at the firm of Gambrill and Richardson in New York, joined the partnership in September 1879. A young, enthusiastic man who could “draw like a house afire,” in the words of McKim, White was responsible for many of the firm’s great architectural projects, including Madison Square Garden; the Washington Arch; the Judson Memorial Church; what is now Bronx Community College, and the accompanying Hall of Fame of Great Americans; the Tiffany Building, and the Gorham Building. His life and career ended abruptly at the age of fifty-three, when he was murdered on the roof of Madison Square Garden in a well-publicized shooting incident in 1906.