“A wickedly entertaining” (The New York Times) detective story that chronicles one Mississippi man’s relentless search for an authentic portrait of William Shakespeare. Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point. “Intensely readable…with bust-out laughing moments” (Garden & Gun), Stalking Shakespeare is Durkee’s fascinating memoir about a hobby gone awry, the 400-year-old myriad portraits attached to the famous playwright, and Durkee’s own unrelenting search for a lost picture of the Bard painted from real life. As Durkee becomes better at beguiling curators into testing their paintings with X-ray and infrared technologies, we get a front-row seat to the captivating mysteries—and unsolved murders—surrounding the various portraits rumored to depict Shakespeare. Whisking us backward in time through layers of paint and into the pages of obscure books on the Elizabethans, Durkee travels from Vermont to Tokyo to Mississippi to DC and ultimately to London to confront the stuffy curators forever protecting the Bard’s image. For his part, Durkee is the adversary they didn’t know they had—a self-described dilettante with nothing to lose, the “Dan Brown of Elizabethan portraiture.” A bizarre and surprisingly moving blend of biography, art history, and madness, Stalking Shakespeare is a “gripping, poignant, and enjoyable” (The Washington Post) journey that will forever change the way you look at one of history’s greatest cultural and literary icons.

The Psychology of Stalking is the first scholarly book on stalking ever published. Virtually every serious writer and researcher in this area of criminal psychopathology has contributed to this comprehensive resource. These chapters explore stalking from social, psychiatric, psychological, legal, and behavioral perspectives. New thinking and data are presented on threats, pursuit characteristics, psychiatric diagnoses, offender-victim typologies, cyberstalking, false victimization syndrome, erotomania, stalking and domestic violence, stalking of public figures, and many other aspects of stalking. This landmark text is of interest to both professionals and other thoughtful individuals who recognize the serious nature of this ominous social behavior at the end of the millennium. Dr. Reid Meloy is a diplomate in forensic psychology of the American Board of Professional Psychology. He was Chief of the Forensic Mental Health Division for San Diego County, and now devotes his time to a private civil and criminal forensic practice, research, writing, and teaching. He is an associate clinical professor of psychiatry at the School of Medicine of the University, San Diego, and an adjunct professor at the University of San Diego School of Law. He is also a Fellow for the Society of Personality Assessment and is currently President of the American Academy of Forensic Psychology. In 1992 he received the Distinguished Contribution to Psychology as a Profession Award from the California Psychological Association. He is a sought-after speaker and psychological consultant on various civil and criminal cases throughout the United States, most recently the Madonna stalking case and the Polly Klass murder case. In 1997, he completed work as the forensic psychologist for the prosecution in the Oklahoma City bombing cases.

Bran Nicol chronicles the history of stalking, showing how acts of extreme obsession have created a public fixation of their own.

A fun-filled fantasy romp through Elizabethan England . . . It has been said that one man could not possibly have created all the works attributed to William Shakespeare. However, what if Shakespeare was not a man? What if Shakespeare was an immortal vampire? What if the Dark Lady of his sonnets was a zombie hunter? What if they met, fell in love, thwarted evil together . . .

The Oxford Handbook of Shakespearean Tragedy presents fifty-four essays by a range of scholars from all parts of the world. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The opening section explores ways in which later generations of critics have shaped our idea of 'Shakespearean' tragedy, and addresses questions of genre by examining the playwright's inheritance from the classical and medieval past. The second section is devoted to current textual issues, while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section expands readers' awareness of Shakespeare's global reach, tracing histories of criticism and performance across Europe, the Americas, Australasia, the Middle East, Africa, India, and East Asia.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.