Ian Watson is one of the most prolific short story writers in contemporary science fiction, with a range and invention that others might envy. In this collection we move from a ghostly occurrence in Catalonia to a memorably hallucinatory and atmospheric tale of eggs and ectoplasm in pre-glasnost Russia. The Times said of Watson that his 'stories are springloaded with effect, compressed with a drama that, in others, might take a novel to eke out', a judgement confirmed by he dozen stories collected here.

The special Jonathan Carroll issue (all arwork by Featured Artist Thomas Kidd) inclues 4 stories by Carroll, plus contributions from William F. Nolan, Ian Watson, Nina Kiriki Hoffman, and many more.

This book contains a broad overview of time travel in science fiction, along with a detailed examination of the philosophical implications of time travel. The emphasis of this book is now on the philosophical and on science fiction, rather than on physics, as in the author's earlier books on the subject. In that spirit there are, for example, no Tech Notes filled with algebra, integrals, and differential equations, as there are in the first and second editions of TIME MACHINES. Writing about time travel is, today, a respectable business. It hasn’t always been so. After all, time travel, prima facie, appears to violate a fundamental law of nature; every effect has a cause, with the cause occurring before the effect. Time travel to the past, however, seems to allow, indeed to demand, backwards causation, with an effect (the time traveler emerging into the past as he exits from his time machine) occurring before its cause (the time traveler pushing the start button on his machine’s control panel to start his trip backward through time). Time Machine Tales includes new discussions of the advances by physicists and philosophers that have appeared since the publication of TIME MACHINES in 1999, examples of which are the chapters on time travel paradoxes. Those chapters have been brought up-to-date with the latest philosophical thinking on the paradoxes.

Now in Paperback The Road to Science Fiction is a six-volume anthology that covers the development of this genre from its earliest prototypes to the current day. Created originally to provide anthologies for use in classrooms in the late 1970s, these volumes became mass-market sellers. Between an ancient Roman's trip to the moon and the fantastic tales of H.G. Wells lies a journey through time and space and an awesome evolution in scientific thinking. From Gilgamesh's search for immortality to Edgar Allan Poe's balloon trip in the year 2848 these and other key works are gathered together for the first time in one anthology, complete with revealing commentary on the authors, their eras, and the role each played in establishing what we today recognize as science fiction. Volume 4 From Here to Forever covers the period from 1950-1992, illustrating how science fiction can be as concerned with language and character as much as traditional fiction and anything in the mainstream. Includes stories by Jorge Luis Borges, Richard Matheson, C. M. Kornbluth, Jack Vance, and Pamela Zoline.

From razor sharp terror to supernatural chills... This sensational for the best short horror novels and stories collects spine-melting material from all areas of the field - blood-soaked reveries; splatterplunk nightmares; and thought-provoking fantasies that linger long into the night. Rare treats include the 'The Pin' by Robert R. McMannon, one of the most sustained, stomach churning chillers of recent years; Thomas Tessier's elegant 'Blanca'; 'The Horn' by Stephen Gallagher and Thomas Ligotti's dark vision 'The Strange Design of Master Rignolo'. Included are other writers at the pinnacle of their careers: Karl Edward Wagner, Richard Laymon, Steve Rasnic Tem and Ramsey Campbell, as well as rising stars like Kim Newman, Ian Watson, Brian Lumley, Chet Williamson and many more.

British Science Fiction award winner Ian Watson graces us here with a brilliant new collection of short stories and essays. Though he dazzles the reader with his footwork in the kaleidoscope intensity of his vision, each piece is plainly the work of a master craftsman. Whether he is dealing with a future culture where whales control us ("The Culling") or taking a hilarious poke at the matter of government funding ("The President's Not for Turning"), his concepts are clear and undeniably logical. True to the highest ideal of science fiction, Watson carries present tendencies of our society to possible conclusions in "Roof Gardens under Saturn," and points a warning finger at the consequences of alienation from the environment. In an innovative style which borders on the experimental, Watson explores in "The Pharaoh and the Mademoiselle" the horrors of fascism. Ian Watson's writing stays with us. He entertains and he makes us think. If in some future and better world politicians were to take advice form writers, Watson should be one of them.