Since the late 1990s, Asian nations have increasingly encouraged, facilitated, or demanded the return of emigrants. In this interdisciplinary collection, distinguished scholars from countries around the world explore the changing relations between nation-states and transnational mobility. Taking into account illegally trafficked migrants, deportees, temporary laborers on short-term contracts, and highly skilled émigrés, the contributors argue that the figure of the returnee energizes and redefines nationalism in an era of increasingly fluid and indeterminate national sovereignty. They acknowledge the diversity, complexity, and instability of reverse migration, while emphasizing its discursive, policy, and political significance at a moment when the tensions between state power and transnational subjects are particularly visible. Taken together, the essays foreground Asia as a useful site for rethinking the intersections of migration, sovereignty, and nationalism. Contributors. Sylvia Cowan, Johan Lindquist, Melody Chia-wen Lu, Koji Sasaki, Shin Hyunjoon, Mariko Asano Tamanoi, Mika Toyota, Carol Upadhya, Wang Cangbai, Xiang Biao, Brenda S. A. Yeoh

Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's fundamental state is mess. Viewing time as a "field of possibilities," he maintains that contingency and freedom are real. To represent open time, some masterpieces have developed an alternative to structure and require a "prosaics of process." Morson's curmudgeonly alter ego, Alicia Chudo, invents the discipline of misanthropology," which explores human voices from voyeurism to violence. Reflecting on his legendarily popular courses, Morson argues that what literature teaches better than anything else is empathy. Himself an aphorist, Morson offers a witty approach to literature's shortest genres and to quotation in general.