One of the most successful dictators of the twentieth century, Stalin transformed the Communist Party of the Soviet Union into one of the world’s leading political parties. Stalin and Stalinism explores how he ammassed, retained and deployed power to dominate, not only his close associates, but the population of the Soviet Union and Soviet Empire. Moving from leader to autocrat and finally despot, Stalin played a key role in shaping the first half of the twentieth century with, at one time, around one-third of the planet adopting his system. His influence lives on – despite turning their backs on Stalin’s anti-capitalism in the later twentieth century, countries such as China and Vietnam retain his political model – the unbridled power of the Communist Party. First published in 1983, Stalin and Stalinism has established itself as one of the most popular textbooks for those who want to understand the Stalin phenomenon. This updated fourth edition draws on a wealth of new publications, and includes increased discussion on culture, religion and the new society that Stalin fashioned as well as more on spying, Stalin's legacy, and his character as well as his actions. Supported by a chronology of key events, Who’s Who and Guide to Further Reading, this concise assessment of one of the major figures of the twentieth-century world history remains an essential read for students of the subject.

Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.

This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin. From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and �sold� as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls �a cartography of power� -- an organization of the entire country into �a hierarchy of spheres of relative sacredness,� with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. Examining representations of space in objects as diverse as postage stamps, a hikers� magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

The chilling story of Stalin’s crimes against humanity Between the early 1930s and his death in 1953, Joseph Stalin had more than a million of his own citizens executed. Millions more fell victim to forced labor, deportation, famine, bloody massacres, and detention and interrogation by Stalin's henchmen. Stalin's Genocides is the chilling story of these crimes. The book puts forward the important argument that brutal mass killings under Stalin in the 1930s were indeed acts of genocide and that the Soviet dictator himself was behind them. Norman Naimark, one of our most respected authorities on the Soviet era, challenges the widely held notion that Stalin's crimes do not constitute genocide, which the United Nations defines as the premeditated killing of a group of people because of their race, religion, or inherent national qualities. In this gripping book, Naimark explains how Stalin became a pitiless mass killer. He looks at the most consequential and harrowing episodes of Stalin's systematic destruction of his own populace—the liquidation and repression of the so-called kulaks, the Ukrainian famine, the purge of nationalities, and the Great Terror—and examines them in light of other genocides in history. In addition, Naimark compares Stalin's crimes with those of the most notorious genocidal killer of them all, Adolf Hitler.

'Stalin and Stalinism' examines Stalin's ambiguous personal and political legacy, his achievements and his crimes - all the subject of major reappraisal both in the West and in the former Soviet Union.

Apart from the 1917 Russian Revolution itself, Joseph Stalin's twenty-five year dictatorship over the USSR is without doubt the most controversial phenomenon in the history of the Soviet Union. This pamphlet examines Stalin's ambiguous personal and political legacy, his achievements and his crimes - all now the subject of major reappraisal both in the West and in the former Soviet Union.