NEW YORK TIMES BESTSELLER • In the eighth book in The Iron Druid Chronicles, two-thousand-year-old Druid Atticus O’Sullivan faces the clan of vampires who have been bent on destroying him—including Leif, his former best friend turned enemy. When a Druid lives as long as Atticus does, he’s bound to run afoul of a few vampires—make that legions of them. Even his former friend and legal counsel turned out to be a bloodsucking backstabber. Now the toothy troublemakers—led by power-mad pain-in-the-neck Theophilus—are no longer content to live undead and let live. Atticus needs to make a point—and drive it into a vampire’s heart. As always, Atticus wouldn’t mind a little backup. But his allies have problems of their own. Ornery archdruid Owen Kennedy is having a wee bit of troll trouble: Turns out when you stiff a troll, it’s not water under the bridge. Meanwhile, Granuaile is desperate to free herself of the Norse god Loki’s mark and elude his powers of divination—a quest that will bring her face-to-face with several Slavic nightmares. As Atticus globe-trots to stop his vampire nemesis, the journey leads to Rome. What better place to end an immortal than the Eternal City? But poetic justice won’t come without a price: In order to defeat Theophilus, Atticus may have to lose an old friend. Don’t miss any of The Iron Druid Chronicles: HOUNDED | HEXED | HAMMERED | TRICKED | TRAPPED | HUNTED | SHATTERED | STAKED | SCOURGED | BESIEGED

Struggling with a short-term memory problem that prevents him from remembering how he became a vampire and how he spends his everyday life, Eric resists his girlfriend's entreaties to make her a vampire while endeavoring to outmaneuver an alluring witch and a vengeful pack of born-again lycanthropes. Reprint.

Staking Claim analyzes Hawai'i at the crossroads of competing claims for identity, belonging, and political status. Judy Rohrer argues that the dual settler colonial processes of racializing native Hawaiians (erasing their indigeneity), and indigenizing non-Hawaiians, enable the staking of non-Hawaiian claims to Hawai'i.

REVIVED. REFRESHED. AND READY FOR REVENGE. Eric has lost his strip club, his Mustang, and even Marilyn, the elderly love of his (mortal) life. Even his body was obliterated. In short, they almost got him. But when you're a vampire, "almost" is a very important word. With a little magical help from his friends, Eric is restored to corporeal form, but his treasured Mustang gets caught up in the sorcery and winds up with an unlife of its own. Now, along with "Fang the 'Stang," he's out to save Marilyn from one of Void City's most powerful soul-stealing demons. But salvation comes at a high price, forcing Eric to venture into his own worst nightmare, Vampire High Society, to uncover the truth about the origin of his powers. At the same time, Eric's ex-girlfriend, Tabitha, has begun to wonder exactly what it was that she admired about those High Society Vampires in the first place. Her quest to find her own place in this deceptively vicious circle may lead her right back to Eric's side -- if her little sister, Rachel, doesn't kill her first. And Eric will need all the help he can get, because it looks like someone is after his soul, too. Blood will flow, fangs will be bared, and the claws will come out, because revenge is never pretty...and Eric has plenty to pass around.

Explore the history and cultural impact of a groundbreaking television show adored by old and new fans alike: Buffy the Vampire Slayer. Over the course of its seven-year run, Buffy the Vampire Slayer cultivated a loyal fandom and featured a strong, complex female lead, at a time when such a character was a rarity. Evan Ross Katz explores the show’s cultural relevance through a book that is part oral history, part celebration, and part memoir of a personal fandom that has universal resonance still, decades later. Katz—with the help of the show’s cast, creators, and crew—reveals that although Buffy contributed to important conversations about gender, sexuality, and feminism, it was not free of internal strife, controversy, and shortcomings. Men—both on screen and off—would taint the show’s reputation as a feminist masterpiece, and changing networks, amongst other factors, would drastically alter the show’s tone. Katz addresses these issues and more, including interviews with stars Sarah Michelle Gellar, Charisma Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, Danny Strong, Tom Lenk, Bianca Lawson, Julie Benz, Clare Kramer, K. Todd Freeman, Sharon Ferguson; and writers Douglas Petrie, Jane Espenson, and Drew Z. Greenberg; as well as conversations with Buffy fanatics and friends of the cast including Stacey Abrams, Cynthia Erivo, Lee Pace, Claire Saffitz, Tavi Gevinson, and Selma Blair. Into Every Generation a Slayer Is Born engages with the very notion of fandom, and the ways a show like Buffy can influence not only how we see the world but how we exist within it.

When her flaky sister abruptly backs out of their surrogacy agreement, Ella McLeod is left with a newborn she's in no position to care for. She'll have to give the baby up for adoption. Enter Yevgeny Volkovoy--her sister's bossy billionaire brother-in-law. Yevgeny won't let a Volkovoy be raised by strangers; he wants custody now. How can Ella be so cold as to deny him? Even worse--why does this woman warm his steely heart? He may be staking his claim on the baby, but Ella may stake a counterclaim on his bachelorhood.