Sixteen-year-old Sarah Meadows longs for "normal." Born with a port wine stain covering half her face, all her life she’s been plagued by stares, giggles, bullying, and disgust. But when she’s abducted on the way home from school, Sarah is forced to uncover the courage she never knew she had, become a hero rather than a victim, and learn to look beyond her face to find the beauty and strength she has inside. It’s that—or succumb to a killer.

Jocelyn has two boys in her life. And a priest. Gabe has shared fourteen years of growing up next door. He's "a golden boy, an all-star." Yet now, in the spring of 1975, he's missing, disappeared on the brink of senior year at Weaver High. The whole town is set to go searching for him. Benny has only been in New Hampshire since January, yet for Joss, he's the answer to a long-held prayer to be someone in somebody's eyes. She loves them both. Father Warren--hair turning white and "kind of cool in his black clothes"--is the link between the three of them. Or a wedge. Or a threat. For Joss, the priest holds the power over her sense of self; for Benny, power over his soul; for Gabe, so mysterious and alluring, he holds the power of destiny. In a story shot with suspense, these four characters, and the lives of others they've touched in their small town, intermingle with unforgettable force.

Thirteen-year-old Donny lives with his deaf mother Skye, but after an accident Donny is taken into care. Soon it seems that his whole life has been built on a lie, and he and his new friends must work to unravel the mystery of his own identity. Suggested level: primary, intermediate.

Qu'bon Cartez is a conniving, womanizing hoodfella that knows no boundaries when it comes to money. His brother, O'bon, finds himself having to survive the game of being his only sibling. Together they'll navigate you through a single tale of lies, lust and revenge. Two very unpredictable endings will teach you why it's called Stained Cotton.

This easy-to-follow, full-colour guide was created for instructors teaching plant structure at the high school, college, and university levels. It benefits from the experience of the authors, who in teaching plant anatomy over many years, came to realize that students learn best by preparing their own microscope slides from fresh plant samples. The exercises contained in this book have been tested, require minimal supplies and equipment, and use plants that are readily available. Detailed instructions are given for sectioning and staining of plant material. The book contains a glossary of terms, an index, and a list of suppliers of materials required. A CD-ROM of all the illustrations is included for easy downloading into PowerPoint presentations. "Although a number of new plant anatomy texts have been published in recent years, none is as innovative, exciting and user-friendly as "Teaching Plant Anatomy Through Creative Laboratory Exercises" by Peterson, Peterson and Melville. What makes this book so usable from high school biology courses on through to upper level university plant structure labs is the wealth of experience that the authors have incorporated into this comprehensive clearly illustrated text. Using mostly photomicrographs of hand sections and wonderfully clear colour illustrations, they cover all aspects of plant structure from organelles to organs. The book also outlines some easy to use techniques, such as hand sections and clearings and macerations, which will certainly be very useful for any plant related lab. This book really does bring plant anatomy to life and will be a must for any course that deals with plant structure even if it's just to prepare plant material for molecular techniques. An excellent contribution to any botanical teaching where you want your students to get a hands-on approach to the subject."... Dr. Usher Posluszny, University of Guelph

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business—a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture—taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism’s relationship with the motion picture industry and its continued impact on creative industries today.