Staging Nation

Staging Nation
Title Staging Nation PDF eBook
Author Jacqueline Lo
Publisher Hong Kong University Press
Pages 241
Release 2004-09-01
Genre Social Science
ISBN 9622096875

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Staging Nation examines the complex relationship between the theatrical stage and the wider stage of nation building in postcolonial Malaysia and Singapore. In less than fifty years, locally written and produced English language theatre has managed to shrug off its colonial shackles to become an important site of community expression. This groundbreaking comparative study discusses the role of creative writing and the act of performance as actual political acts and as interventions in national self-constructions. It argues that certain forms of theatre can be read as emerging oppositional cultures that contribute towards the deepening of democracy by offering contending narratives of the nation. Jacqueline Lo is Senior Lecturer at the School of Humanities, Australian National University. She has published widely on postcolonial theory, performance studies and Asian-Australian cultural politics. She is the editor of Theatre in Southeast Asia, and co-editor of Diaspora: Negotiating Asian-Australia.

Staging the Nation: Opera and Nationalism in 19th-Century Hungary

Staging the Nation: Opera and Nationalism in 19th-Century Hungary
Title Staging the Nation: Opera and Nationalism in 19th-Century Hungary PDF eBook
Author Krisztina Lajosi
Publisher BRILL
Pages 187
Release 2018-02-27
Genre History
ISBN 9004347224

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Opera was a prominent political forum and a potent force for nineteenth-century nationalism. As one of the most popular forms of entertainment, opera could mobilize large crowds and became the locus of ideological debates about nation-building. Despite its crucial role in national movements, opera has received little attention in the context of nationalism. In Staging the Nation: Opera and Nationalism in 19th-Century Hungary, Krisztina Lajosi examines the development of Hungarian national thought by exploring the theatrical and operatic practices that have shaped historical consciousness. Lajosi combines cultural history, political thought, and the history of music theater, and highlights the role of the opera composer Ferenc Erkel (1810-1893) in institutionalizing national opera and turning opera-loving audiences into a national public.

Staging Nationalism

Staging Nationalism
Title Staging Nationalism PDF eBook
Author Kiki Gounaridou
Publisher McFarland
Pages 248
Release 2005-05-19
Genre Literary Criticism
ISBN

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"When a nation wants to reconnect with a sense of national identity, its cultural celebrations, including its theatre, are often tinged with nostalgia for a cultural high point in its history. Leaders often try to create a "neo-classical" cultural identity. This collection of essays discusses the relationship between political power and the construction or subversion of cultural identity"--Provided by publisher.

Staging the World

Staging the World
Title Staging the World PDF eBook
Author Rebecca E. Karl
Publisher Duke University Press
Pages 332
Release 2002-04-22
Genre History
ISBN 9780822328674

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DIVAn historical analysis of how the Chinese constructed their understandings of their place in the world in the late nineteenth and early twentieth centuries./div

Staging Black Fugitivity

Staging Black Fugitivity
Title Staging Black Fugitivity PDF eBook
Author Stacie Selmon McCormick
Publisher Black Performance and Cultural
Pages 192
Release 2019-09-09
Genre Literary Criticism
ISBN 9780814255445

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Argues that contemporary black dramas use the slave past to complicate views of the history of slavery, of the realities of racial progress, and of black subjectivity.

Staging Race

Staging Race
Title Staging Race PDF eBook
Author Karen Sotiropoulos
Publisher Harvard University Press
Pages 305
Release 2009-07-01
Genre Social Science
ISBN 0674043871

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Staging Race casts a spotlight on the generation of black artists who came of age between 1890 and World War I in an era of Jim Crow segregation and heightened racial tensions. As public entertainment expanded through vaudeville, minstrel shows, and world's fairs, black performers, like the stage duo of Bert Williams and George Walker, used the conventions of blackface to appear in front of, and appeal to, white audiences. At the same time, they communicated a leitmotif of black cultural humor and political comment to the black audiences segregated in balcony seats. With ingenuity and innovation, they enacted racial stereotypes onstage while hoping to unmask the fictions that upheld them offstage. Drawing extensively on black newspapers and commentary of the period, Karen Sotiropoulos shows how black performers and composers participated in a politically charged debate about the role of the expressive arts in the struggle for equality. Despite the racial violence, disenfranchisement, and the segregation of virtually all public space, they used America's new businesses of popular entertainment as vehicles for their own creativity and as spheres for political engagement. The story of how African Americans entered the stage door and transformed popular culture is a largely untold story. Although ultimately unable to erase racist stereotypes, these pioneering artists brought black music and dance into America's mainstream and helped to spur racial advancement.

Staging Philanthropy

Staging Philanthropy
Title Staging Philanthropy PDF eBook
Author Jean Helen Quataert
Publisher University of Michigan Press
Pages 336
Release 2010-02-09
Genre History
ISBN 0472022660

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Staging Philanthropy is a history of women's philanthropic associations during Germany's "long" nineteenth century. Challenged by the French Revolution and the Napoleonic occupation and war, dynastic groups in Germany made community welfare and its defense part of newly-gendered social obligations, sponsoring a network of state women's associations, philanthropic institutions, and nursing orders which were eventually coordinated by the German Red Cross. These patriotic groups helped fashion an official nationalism that defended conservative power and authority in the new nation-state. An original and truly multi-disciplinary work, Staging Philanthropy uses archival research to reconstruct the neglected history of women's philanthropic organizations during the 'long' nineteenth century. Borrowing from cultural anthropologists, Jean Quataert explores how meaning is created in the theater of politics. Linking gender with nationalism and war with humanitarianism, Quataert weaves her analysis together with themes of German historiography and the wider context of European history. Staging Philanthropy will interest readers in German history, women's history, politics and anthropology, as well as those whose interest is in medicalization and the German Red Cross. This book situates itself in the middle of a string of debates pertaining to modern German history and, thus, should also appeal to readers from the general educated public. Jean Quataert is Professor of History and Women's Studies, Binghamton University. She has previously published a number of books, including Connecting Spheres: European Women in a Globalizing World, 1500 to the Present with Marilyn J. Boxer (Oxford, 1999).