In this poignant and personal history of one of America’s oldest theaters, Leslie Stainton captures the story not just of an extraordinary building but of a nation’s tumultuous struggle to invent itself. Built in 1852 and in use ever since, the Fulton Theatre in Lancaster, Pennsylvania, is uniquely ghosted. Its foundations were once the walls of a colonial jail that in 1763 witnessed the massacre of the last surviving Conestoga Indians. Those same walls later served to incarcerate fugitive slaves. Staging Ground explores these tragic events and their enduring resonance in a building that later became a town hall, theater, and movie house—the site of minstrel shows, productions of Uncle Tom’s Cabin, oratory by the likes of Thaddeus Stevens and Mark Twain, performances by Buffalo Bill and his troupe of “Wild Indians,” Hollywood Westerns, and twenty-first-century musicals. Interweaving past and present, private anecdote and public record, Stainton unfolds the story of this emblematic space, where for more than 250 years Americans scripted and rescripted their history. Staging Ground sheds light on issues that continue to form us as a people: the evolution of American culture and faith, the immigrant experience, the growth of cities, the emergence of women in art and society, the spread of advertising, the flowering of transportation and technology, and the abiding paradox of a nation founded on the principle of equality for “all men,” yet engaged in the slave trade and in the systematic oppression of the American Indian.

When Surveyor-General Thomas Hutchins drove a stake into the ground to mark a “point of beginning” for the 1785 establishment of Seven Ranges of townships on the west bank of the Ohio River, he had to have sensed that he was initiating something larger than a survey. After all, he was working for the newly formed United States, and the purpose of his work was to impose a grid of ideal squares on hill country to make it ready for sale—something that had never been done before. But Hutchins couldn’t by any stretch of the imagination have known that the public survey system he was testing would soon extend all the way to the Pacific or that the land on which he worked would soon become the staging ground for other, similarly revolutionary innovations like strip mining, Pentecostalism, the gaming industry, and tools for emancipating multi-national corporations. In this book, Will Hoyt details the arrival and eventual impact of these eastern Ohio products, and by framing the story of their development within the story of his own decision to move from California to eastern Ohio, he secures a glimpse of our country’s DNA. Readers will close this book with a firm grasp of three things: the grandeur of the American project, the extent to which that project is now at risk, and what we all must do to ensure its survival.