The bible of music's deceased idols—Jeff Buckley, Sid Vicious, Jimi Hendrix, Tupac, Elvis—this is the ultimate record of all those who arrived, rocked, and checked out over the last 40-odd years of fast cars, private jets, hard drugs, and reckless living. The truths behind thousands of fascinating stories—such as how Buddy Holly only decided to fly so he'd have time to finish his laundry—are coupled with perennial questions, including Which band boasts the most dead members? and Who had the bright idea of changing a light bulb while standing in the shower?, as well as a few tales of lesser-known rock tragedies. Updated to include all the rock deaths since the previous edition—including Ike Turner, Dan Fogelberg, Bo Diddley, Isaac Hayes, Eartha Kitt, Michael Jackson, Clarence Clemons, Amy Winehouse, and many, many more—this new edition has been comprehensively revised throughout. An indispensable reference full of useful and useless information, with hundreds of photos of the good, the bad, and the silly, this collection is guaranteed to rock the world of trivia buffs and diehards alike.

A Gathering of Promises is a history of acid rock and psychedelic music in and from the state of Texas, focusing largely on its mid-1960s origins with the 13th Floor Elevators and contemporaries such as the Golden Dawn, the Red Crayola and Bubble Puppy, and following its development to the present day and the popularity of the annual Austin Psych Fest. Grounded in a strong social, cultural and historical context, the book asks how Texas produced some of the most extreme and influential psych of any era despite a prevailing social ethos of Christian conservatism and the strictest drug laws of any American state. It looks at how this environment shaped and affected the music, alongside the Texan frontier spirit and its championing of expansion, freedom and individualism.

Houston, we have a problem. The largest city in Texas has a wild west past filled with dodgy criminals and murderous madmen. When the Allen brothers sold Houston’s first lots, the city became a magnet for enterprising tycoons and opportunistic crooks alike. As the young city grew, a scourge of crime and vice accompanied the success of oil and real estate. The Bayou City’s seedy side—flashing Bowie knives, privileged bad boys, hardened prostitutes and unchecked serial killers—established its hold. From a young Clyde Barrow to the Man Who Killed Halloween, Houston’s past is filled with bloody tales, heartbreaking loss and despicable deeds. Authors Mike Vance and John Nova Lomax shine a light on these dark days. Includes photos!

In Texas in the mid sixties some local boys, rock and rollers from rural Kerrville banded together and were joined by some hip Austin music makers to pioneer one of the first psychedelic bands of the day. Thirteenth Floor Elevators led the way in the Haight-Ashbury scene like pied pipers heralding the upcoming summer of love. Stacy Sutherland was one of those legendary boys and this is his story.

Founded in a working-class neighborhood in southeast Houston in 1941, Gold Star/SugarHill Recording Studios is a major independent studio that has produced a multitude of influential hit records in an astonishingly diverse range of genres. Its roster of recorded musicians includes Lightnin’ Hopkins, George Jones, Willie Nelson, Bobby “Blue” Bland, Junior Parker, Clifton Chenier, Sir Douglas Quintet, 13th Floor Elevators, Freddy Fender, Kinky Friedman, Ray Benson, Guy Clark, Lucinda Williams, Beyoncé and Destiny’s Child, and many, many more. In House of Hits, Andy Bradley and Roger Wood chronicle the fascinating history of Gold Star/SugarHill, telling a story that effectively covers the postwar popular music industry. They describe how Houston’s lack of zoning ordinances allowed founder Bill Quinn’s house studio to grow into a large studio complex, just as SugarHill’s willingness to transcend musical boundaries transformed it into of one of the most storied recording enterprises in America. The authors offer behind-the-scenes accounts of numerous hit recordings, spiced with anecdotes from studio insiders and musicians who recorded at SugarHill. Bradley and Wood also place significant emphasis on the role of technology in shaping the music and the evolution of the music business. They include in-depth biographies of regional stars and analysis of the various styles of music they represent, as well as a list of all of Gold Star/SugarHill’s recordings that made the Billboard charts and extensive selected historical discographies of the studio’s recordings.

Timmy Overton of Austin and Jerry Ray James of Odessa were football stars who traded athletics for lives of crime. The original rebels without causes, nihilists with Cadillacs and Elvis hair, the Overton gang and their associates formed a ragtag white trash mafia that bedazzled Austin law enforcement for most of the 1960s. Tied into a loose network of crooked lawyers, pimps and used car dealers who became known as the "traveling criminals," they burglarized banks and ran smuggling and prostitution rings all over Texas. Author Jesse Sublett presents a detailed account of these Austin miscreants, who rose to folk hero status despite their violent criminal acts.