Medieval philosophy is primarily associated today with university-based disputations and the authorities cited in those disputations. In their own time, however, scholastic debates were recognized as just one part of wide-ranging philosophical and theological discussions. A Hidden Wisdom breaks new ground by drawing attention to another crucial component of these conversations: the Christian contemplative tradition. The period from 1200 to 1500, in particular, saw a dramatic increase in the production and consumption of mystical and contemplative literature in the 'Christian West', by laypeople as well as religious scholars, women as well as men. A Hidden Wisdom focuses on five topics of particular interest to both scholastics and contemplatives in this period, namely, self-knowledge, reason and its limits, love and the will, persons, and immortality and the afterlife. This focus centers the (often overlooked) contributions of medieval women and demonstrates that when we re-unite scholasticism with its contemplative counterpart, we gain not only a more accurate understanding of the scope of medieval Christian philosophy and theology but also an increased awareness of a deeply practical tradition that builds up as well as tears down, generates as well as deconstructs. The book's treatment of topics and figures is meant to be representative rather than exhaustive: a tasting menu, rather than a comprehensive study. The choice of topics offers a series of 'hooks' for philosophers to connect their own interests to issues central to medieval contemplative philosophy, while also providing medievalists in other disciplines a fresh lens through which to view these texts.

Introduction by Ralph McInerny The essays in this volume, indebted in great part to Jacques Maritain and to other Neo-Thomists, represent a contribution to an understanding of beauty and the arts within the Aristotelian-Thomistic tradition. As such they constitute a different voice in present-day discussions on beauty and aesthetics, a voice which nonetheless shares with many of its contemporaries concern over questions such as the relationship between beauty and morality, public funding of the arts and their educational role, objective and universal standards of what is beautiful. In the tradition in which the contributors of this volume reflect, beauty manifests itself in the order of the universe, an order that provides human reason with a window onto the transcendent. For Aristotle and Aquinas the natural order grounds both art and morality, and yet it is this very order which has been called into question by modern science and philosophy. Instead of pointing us to a suprahuman order, the beautiful then points to the order of human freedom and creativity. Reflection on the beautiful since the modern philosopher Immanuel Kant has thus often taken a subjectivistic turn. Because of the importance of beauty and art in human existence, in man's education and life as a moral and political being, an alternative should be sought to any reduction of the beautiful to a purely subjective experience or cultural construct. The Aristotelian-Thomistic tradition, in dialogue with modern and contemporary conceptions of the beautiful, provides us with just that alternative, and thus the essays herein represent a decisive step in the "journey for Thomistic aesthetics." THE CONTRIBUTORS: In addition to the editor, the contributors to the volume are: Brian J. Braman, Matthew Cuddeback, Christopher M. Cullen, S.J., Patrick Downey, Desmond J. FitzGerald, Donald Haggerty, Wayne H. Harter, Jeanne M. Heffernan, Thomas S. Hibbs, Gregory J. Kerr, Joseph W. Koterski, S.J., Daniel McInerny, Ralph McInerny, James P. Mesa, John F. Morris, Ralph Nelson, Katherine Anne Osenga, Carrie Rehak, Stephen Schloesser, S.J., Francis Slade, John G. Trapani, Jr., and Henk E. S. Woldring. ABOUT THE EDITOR: Alice Ramos is associate professor of philosophy at St. John's University.

The chief aims of Thomas Aquinas on the Immateriality of the Human Intellect are to provide a comprehensive interpretation of Aquinas's oft-repeated claim that the human intellect is immaterial, and to assess his arguments on behalf of this claim. Adam Wood argues that Aquinas's claim refers primarily to the mode in which the human intellect has its act of being. That the human intellect has an immaterial mode of being, however, crucially underwrites Aquinas's additional views that the human soul is subsistent and incorruptible. To show how it does so, Wood argues that the human intellect's immateriality can also be put in terms of the impossibility of explaining its operations in terms of coordination between bodily parts, states and processes. Aquinas's arguments for the human intellect's immateriality, therefore, can be understood as attempts to show why intellectual operations cannot be explained in bodily terms. The book argues that not all of them succeed in this aim and also proposes, however, a novel interpretation of Aquinas's argument based on human intellect's universal mode of cognition that may indeed be sound. Wood concludes by considering the ramifications of Aquinas's position on matters pertaining to the afterlife. Thomas Aquinas on the Immateriality of the Human Intellect represents the first book-length examination of Aquinas's claim that the human intellect is immaterial, and so — given the centrality of this claim to his thought — should interest any scholars interested in understanding Thomas. While it focuses throughout on careful attention to Aquinas's texts along with the relevant secondary literature, it also positions Thomas's thought alongside recent developments in metaphysics and philosophy of mind. Hence it should also interest historically-minded metaphysicians interested in understanding how Thomas's hylomorphism intersects with recent work in hylomorphic metaphysics, philosophers of mind interested in understanding how Thomas's philosophical psychology relates to contemporary forms of dualism, physicalism and emergentism, and philosophers of religion interested in the possibility of the resurrection.

Available for the first time in paperback, this essential resource presents a systematic introduction to Dante's life and works, his cultural context and intellectual legacy. The only such work available in English, this Encyclopedia: brings together contemporary theories on Dante, summarizing them in clear and vivid prose provides in-depth discussions of the Divine Comedy, looking at title and form, moral structure, allegory and realism, manuscript tradition, and also taking account of the various editions of the work over the centuries contains numerous entries on Dante's other important writings and on the major subjects covered within them addresses connections between Dante and philosophy, theology, poetics, art, psychology, science, and music as well as critical perspective across the ages, from Dante's first critics to the present.

Descartes has long been recognized as occupying a pivotal position in Western philosophy. At the very centre of Descartes’ innovation are his intimately related conceptions of mind and knowledge. These twin notions form the main problems that have continued to exercise philosophers to this day. The volumes in this set, originally published between 1932 and 1990 Put the main mathematical and physical discoveries of Descartes in an accessible form, for the benefit of English readers. Provide a thorough discussion of René Descartes philosophy of metaphysics, examining the three major points of the mind and body, freedom of the will and religion and science Delineate the transition Descartes effects from a prevalent medieval conception of understanding to a modern conception of it. Give in-depth study of Descartes’ philosophy with a strong emphasis on the historical approach.