Augustine’s Confessions is probably the most commented upon text of early Christianity. Yet, there is a general consensus that this justly famous work is neither well composed nor structurally unified. “You Made Us for Yourself” aims to challenge this common notion by approaching the Confessions in light of what Augustine himself would have considered most fundamental: creation, understood in a broad sense. Creation, for Augustine, is an epiphany, a light that reveals who God is and who human beings are. It is not merely one doctrine or theme among others, but is the foundational context which illumines all doctrines and all themes. Moreover, creation, for Augustine, is dynamically ordered toward the church, toward the deified destiny the body of Christ both is and brings about. Thus, the Confessions itself can be understood as Augustine’s prayer of praise in thanksgiving for the unmerited gift of creation (and re-creation). It is his self-gift back to God—a kind of eucharistic offering intended to take up and bring about the same in his readers. Augustine’s rich understanding of creation, then, can account for the often despaired of meaning, structure, and unity of the Confessions.

"As the psalms are a microcosm of the Old Testament, so the Expositions of the Psalms can be seen as a microcosm of Augustinian thought. In the Book of Psalms are to be found the history of the people of Israel, the theology and spirituality of the Old Covenant, and a treasury of human experience expressed in prayer and poetry. So too does the work of expounding the psalms recapitulate and focus the experiences of Augustine's personal life, his theological reflections and his pastoral concerns as Bishop of Hippo."--Publisher's website.

Eight new essays examine key philosophical issues raised by Augustine in his 'Confessions' - a masterpiece of world literature. They explore a range of topics including what constitutes the happy or blessed life, the role of philosophical perplexity in the search for truth, and the problems that arise in the attempt to understand minds.

In the Self's Place is an original phenomenological reading of Augustine that considers his engagement with notions of identity in Confessions. Using the Augustinian experience of confessio, Jean-Luc Marion develops a model of selfhood that examines this experience in light of the whole of the Augustinian corpus. Towards this end, Marion engages with noteworthy modern and postmodern analyses of Augustine's most "experiential" work, including the critical commentaries of Jacques Derrida, Martin Heidegger, and Ludwig Wittgenstein. Marion ultimately concludes that Augustine has preceded postmodernity in exploring an excess of the self over and beyond itself, and in using this alterity of the self to itself, as a driving force for creative relations with God, the world, and others. This reading establishes striking connections between accounts of selfhood across the fields of contemporary philosophy, literary studies, and Augustine's early Christianity.

Presents the best scholarship on Augustine's Confessions which will facilitate a better understanding of this masterpiece.