Concept designer, educator and author of the bestselling design books How to Draw and How to Render, Scott Robertson, shares more than 200 never-before-published sketches, traditional and digital, from his personal archives in SRW: Sketch Collection Vol 01. Truly an exploration of cutting-edge mech design, weaponry, military vehicles, and even reimagined muscle cars and hot rods, Robertson's work achieves what all his workshops set out to do: to inspire and educate the next-generation of artists and designers.

Scott Robertson returns with his much- anticipated second collection of sketches, clocking in at a whopping 288 drawings that are sure to amaze and inspire. After a brief hiatus from publishing, the acclaimed designer and best-selling author of How to Draw and How to Render is back to remind the industry why he continues to be a force, with a wide, imaginative range of vehicles represented in the book. From futuristic hot rods and otherworldly rovers, to superhero-worthy sports cars and equally incredible headgear, Robertson's latest sketches were created over the last three years, and are now ready to transport you beyond your own imagination.

Drawing and drawings.

Lift Off presents personal and professional works by Scott Robertson, Program Director of the Entertainment Design major at Art Center College of Design. This book features the following chapters: Airships, Spacecraft, Aircraft, Lefty Sketches, Hovercraft, Original "Card Collection" and selected work from the conceptual design of vehicles for the video games Field Commander and Spy Hunter 2.

Contains over 470 works, from finished pieces to support sketches and roughs, with each piece accompanied by text detailing the design ideas and illustration techniques used. This book takes readers on a journey into the minds of talented and successful concept design professionals.

Explains how the human brain interprets the visual world around us, as well as the subject of visually communicating the form of an object in easy to understand lessons through the use of drawings, photography, and more.

Gilbert Seldes, the author of The Stammering Century, writes: This book is not a record of the major events in American history during the nineteenth century. It is concerned with minor movements, with the cults and manias of that period. Its personages are fanatics, and radicals, and mountebanks. Its intention is to connect these secondary movements and figures with the primary forces of the century, and to supply a back- ground in American history for the Prohibitionists and the Pentecostalists; the diet-faddists and the dealers in mail-order Personality; the play censors and the Fundamentalists; the free-lovers and eugenists; the cranks and possibly the saints. Sects, cults, manias, movements, fads, religious excitements, and the relation of each of these to the others and to the orderly progress of America are the subject. The subject is of course as timely at the beginning of the twenty-first century as when the book first appeared in 1928. Seldes's fascinated and often sympathetic accounts of dreamers, rogues, frauds, sectarians, madmen, and geniuses from Jonathan Edwards to the messianic murderer Matthias have established The Stammering Century not only as a lasting contribution to American history but as a classic in its own right.