Sri Ganesha presents Pãrvatiputra Ganpati Gajãnan in all hue and colour magnificently and magestically, as it deals with all the aspects of the most revered God of the Hindus, who start every Puja or Ritual with the invocation to Lord Ganesha. Sri Ganesha gives not only 108 mantras for meditation on and through this Vighnahurtã God but also discusses in detail his 32 forms and the symbolical significance and meaning of everything attached to and associated with the Mangalkartã, Siddhidãtã, Vinãyak Sri Ganesha.

Lord Ganesha is the Favourite Deity of not only the Hindus but also of most people following other religious faiths. He is not only popular in India but also across the globe. The innumerable temples built for this Deity in every village , every town, every city, every state and every country all over the world is a testimony to the growing faith on this Lord amongst people. It’s the traditional faith among the Hindu Community that Lord Ganesha also known as Vinayaka, Ganapati, Vighneshwara etc annihilates any and every obstacle and impediment that may block the path to success in One’s endeavour. Hence it’s common that Vinayaka is propitiated at the beginning of any Initiative, any auspicious Function or ceremony. Unlike other Deities of Hindu Faith, many aspects of Lord Ganapati including His physical appearance kindles intrigue in everyone. He has an abnormally huge human body but from head to neck he resembles an elephant. There are eighteen Mahapuranas and many Upa Puranas and Ganesha Purana is one among them.

Shri Ganesha Puja Paddhati - Learn how to do Ganesha puja.

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Shree Ganesh

This book offers a translation of the seven thousand verses of the second book of the medieval Hindu text, the Ganesa Purana, one of two Puranas dedicated to the important elephant-headed god. In this book the reader is given many narratives about Ganesas ascent to earth in order to kill demonic figures who threaten to overthrow the correct world order. In addition, these narratives contain myths about Ganesa's birth and family as well as some extended and quite humorous myths about ideal devotees of the god.The translation is preceded by a long introduction offering a geographical and historical context for the GanesaPurana. Following the translation are very extensive notes which bring our points of philological interest, but focus mainly on the literary structure of the text and the methods used to present the many myths and narratives in a coherent and fully integrated manner.

The experience of the divine in India merges the three components of sight, performance and sound. This book is about the power and importance of "seeing" in the Hindu religious tradition. In the Hindu view, not only must the gods keep their eyes open, but so must we, in order to make contact with them, to reap their blessings and to know their secrets. When hindus go to temple, their eyes meet the powerful, eternal gaze of the eyes of God. It is called Darsan, "Seeing" the divine image and it i