Malachi Booth is a supermodel. He's used to moving about the world, sleeping with whoever takes his fancy and watching the money roll in. The last place he expects to find himself is on a run-down farm in Cornwall, but a bad bout of bronchitis means that he's stuck there. The only compensation for this dismal state of affairs is that the farmer is very good looking, even if he's the grumpiest person that Malachi has ever met.Cadan Landry's farm has been in his family for hundreds of years but that doesn't make it any easier to make ends meet. As a consequence, Cadan could be called grumpy. Most men would consider a supermodel collapsing at their feet while dressed in the skimpiest pair of briefs ever made to be a sign of good fortune. Cadan just resents the fact that the young man is taking up space in his cow field.These two men are from different worlds, but can they ever meet in the middle? From bestselling author Lily Morton comes a novella about snarky models, misconceptions, and finding a home in the most unlikely of places.

A violin and a middle-school musical unleash a dark family secret in this moving story by an award-winning author duo. For fans of The Devil's Arithmetic and Hana's Suitcase. It's 2002. In the aftermath of the twin towers -- and the death of her beloved grandmother -- Shirli Berman is intent on moving forward. The best singer in her junior high, she auditions for the lead role in Fiddler on the Roof, but is crushed to learn that she's been given the part of the old Jewish mother in the musical rather than the coveted part of the sister. But there is an upside: her "husband" is none other than Ben Morgan, the cutest and most popular boy in the school. Deciding to throw herself into the role, she rummages in her grandfather's attic for some props. There, she discovers an old violin in the corner -- strange, since her Zayde has never seemed to like music, never even going to any of her recitals. Showing it to her grandfather unleashes an anger in him she has never seen before, and while she is frightened of what it might mean, Shirli keeps trying to connect with her Zayde and discover the awful reason behind his anger. A long-kept family secret spills out, and Shirli learns the true power of music, both terrible and wonderful.

This is an encyclopedic, large-format book containing hundreds of illustrations. While not geared toward making conventional instruments, Musical Instrument Design provides all the information that anyone (amateur or professional) should ever need to construct an amazingly wide variety of percussion, string, and wind instruments. Includes many designs along with parts lists and detailed construction instructions.

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor Black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

It is an independent research work done by the author Rishab Singha to meet the needs of those readers who wants to learn string theory from scratch. With the availability of loads of information on string theory it becomes very chaotic for a beginner to study string theory in a systematic and an organized way. Therefore this book has been specifically designed to help understand a beginner the very basics of string theory.