Examining the ways F. Scott Fitzgerald portrayed spectator sports as working to help structure ideologies of class, community and nationhood, this book shows how narratives of attending sports and being a 'fan' cultivate communities of spectatorship

This second edition of The Cambridge Companion to F. Scott Fitzgerald offers both new and familiar readers an authoritative guide to the full scope of Fitzgerald's literary legacy. Gathering the critical insights of leading Fitzgerald specialists, it includes newly commissioned essays on The Beautiful and Damned, The Great Gatsby, Tender is the Night, Zelda Fitzgerald, Fitzgerald's judgment of his peers, and Fitzgerald's screenwriting and Hollywood years, alongside updated and revised versions of four of the best essays from the first edition on such topics as youth, maturity, and sexuality; the short stories and autobiographical essays; and Americans in Europe. It also includes an essay on Fitzgerald's critical and cultural reputation in the first decades of the 21st century, and an up-to-date bibliography of the best Fitzgerald scholarship and criticism for further reading.

'Lie to me by the moonlight. Do a fabulous story.' F. Scott Fitzgerald's first story collection, Flappers and Philosophers, appeared in 1920 on the heels of his debut novel, This Side of Paradise, and immediately established him as a master of popular fiction. Love stories such as 'The Offshore Pirate' and 'Head and Shoulders' capture the spectacle and fantasy of the Jazz Age, celebrating that modern icon of feminine self-possession, the flapper, while comedies of manner like 'Bernice Bobs Her Hair' and 'The Ice Palace' showcase Fitzgerald's eye for humour. In addition to these four classic tales, which first appeared in The Saturday Evening Post , this edition highlights the author's proficiency with other crowd-pleasing story types: from Gothic fiction ('The Cut-Glass Bowl') to didactic moral stories ('The Four Fists'), from satire ('Dalyrimple Goes Wrong') to spiritual quests ('Benediction'), Fitzgerald tried his hand at many genres—-and succeeded at all.

Explores many of the important social, historical and cultural contexts surrounding the life and works of F. Scott Fitzgerald.

First published in 1922, the author's second collection of short stories reflects American society during the 1920s and portrays the aristocratic class of the era.

'The victor belongs to the spoils.' F. Scott Fitzgerald's second novel, The Beautiful and Damned (1922), is a devastating portrait of a generation of wealthy young Americans who struggle to find meaning and happiness in their lives. The sophisticated but emotionally fragile Anthony Patch enjoys an initially idyllic marriage to the beautiful Gloria Gilbert. But their intense romance turns sour as they waste their time and energy in decadent leisure and luxury. Their happiness comes to depend on gaining a vast inheritance from Anthony's grandfather, but they are stifled by their inner fears and are ill-prepared for the inevitable loss of youth and prosperity. Set amid the vibrant social and commercial world of New York in the early twentieth century, the novel expresses the promise and disillusionment of America at the start of the Jazz Age. This is the novel that confirmed Fitzgerald's status as the most celebrated young American writer of the Twenties. The author's exuberant and enchanting style is on full display, three years before the critical triumph of The Great Gatsby. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.