Flying ghosts, hopping vampires, seductive spirits, tree demons, evil sorcerers, living skeletons, possessed limbs and giant predatory tongues!

"Weird Encounters" features more than 75 supernatural stories contributed by writers from across the country. This chilling anthology tells of Historic Haunts and Hostel Environments and conjures up a host of phantasms and destructive spirits.

Explores curious wonders from California to Maine, from Canada to Mexico, and includes a list of every haunted or spooky location in every state and province in North America

The former owner of the Myrtles Plantation in Louisiana, noted as "the most haunted house in America, " traveled to over 150 haunted inns and hotels throughout the U.S. and collected some of the creepiest ghost stories ever told. Packed with chilling stories, "Ghostly Encounters" is filled with practical information for anyone who dares to spend a night in a haunted house.

Welcome to the spooky shores of Michigan! Stay alert! Ghosts lurk around every corner. Even the most unexpected places might be haunted by wandering phantoms. Did you know that the former keeper of the Seul Choix Point Lighthouse still keeps his watch, despite having been dead for over a hundred years? Or that a mysterious young girl searches for playmates at the Marquette Island Lighthouse? Can you believe that the poltergeist at Waugoshance Shoal Lighthouse loves to play pranks on visitors? Pulled right from history, these ghostly tales will change the way you see Michigan's coast, and have you sleeping with the light on! ????????????????????????????????????????????????????????????????

In this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of textural analysis as much as they call for more traditional forms of textual analysis. Dating back to Carol Clover’s and Linda Williams’s pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a “body genre.” However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals. Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals—living or dead, real or fake—play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, Body Genre: Anatomy of the Horror Film moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death.

Describes ghost sightings and hauntings in the United States.