Famous for being deathly serious, the vampire genre has a consistent yet often critically overlooked subgenre--the comedic spoof and satire. This is the first book dedicated entirely to documenting and analyzing the vampire comedy on film and television. Various types of comedy are discussed, outlining the important differences between spoofing, serious-spoofing, parody and satire. Seminal films such as Abbott and Costello Meet Frankenstein, Love at First Bite, Vampire in Brooklyn, Dracula: Dead and Loving It and What We Do In the Shadows are featured. More importantly, this book demonstrates how comedy is central to both the common perception of the vampire and the genre's ever-evolving character, making it an essential read for those interested in the laughing undead and creatures that guffaw in the night.

In order to get the attention of Nia, the girl he likes, eleven-year-old A.J. pretends to be a vampire, unaware that she intends to be a slayer.

Examining fictional purgatorial worlds in contemporary literature, film and video games, this book examines the way in which the female characters trapped within them construct identity positions of resistance and change. With the rise of populism, the Alt. Right, and isolationism in world politics in the second decade of the 21st Century, parallel, purgatorial worlds seem to currently proliferate within popular culture across all media, including television shows and films such as The Handmaids Tale, Us, Watchmen, and Margaret Atwood's The Testaments among many others. These texts depict alternate worlds that express the darkness and violence of our own, arguably none more so than for women. Featuring essays from a broad range of international contributors on topics as wide-ranging as mental health in the Silent Hill franchise and liminal spaces in the work of David Mitchell, this book is an original, timely and hope-filled analysis about overcoming the confines of a patriarchal, fundamentalist world where the female imaginative might just be the last, best hope.

Themes of faith and religion have been threaded through popular representations of the zombie so often that they now seem inextricably linked. Whether as mindless servants to a Vodou Bokor or as evidence of the impending apocalypse, the ravenous undead have long captured something of society's relationships with spirituality, religion and belief. By the start of the 21st century, religious beliefs are as varied as the many manifestations of the zombie itself, and both themes intersect with various ideological, environmental and even post-human concerns.This book surveys the various modern religious associations in zombie media. Some characters believe that the undead are part of God's plan, others theorize that the environment might be saving itself or that zombies might be predicting life and hybridity beyond human existence. Timely and important, this work is a meditation on how faith might not just be a forerunner to the apocalypse, but the catalyst to new kinds of life beyond it.

On my thirteenth birthday, my life changed for ever. That's when I learned the shocking truth: I'm a half-vampire. Think that sounds cool? Think again! I've been attacked by an evil vampire bat, had huge cravings for my best friend's blood, and nearly died from eating a pizza (half-vampires aren't great with garlic). Writing my secret blog is the only thing that's kept me from going completely crazy. As if life couldn't get any more complicated, there have been some vicious attacks in the local woods. Vampire-mad Tallulah (definitely not my girlfriend) thinks a super-vampire is behind them - and she's desperate to prove it, with a mysterious chain that's supposed to glow red-hot when a vampire is close by. And I have a horrible feeling that the chain's going to turn red-hot any day now . . . A new novel from award-winning author Pete Johnson that taps into the very current interest in vampires - done with Pete's humorous, accessible touch.