In Stone and Dung, Oil and Spit Jodi Magness unearths “footprints” buried in both archaeological and literary evidence to shed new light on Jewish daily life in Palestine from the mid-first century b.c.e. to 70 c.e. — the time and place of Jesus’ life and ministry. Magness analyzes recent archaeological discoveries from such sites as Qumran and Masada together with a host of period texts, including the New Testament, the works of Josephus, and rabbinic teachings. Layering all these sources together, she reconstructs in detail a fascinating variety of everyday activities — dining customs, Sabbath observance, fasting, toilet habits, burial customs, and more.

Poetry/Performance. Latino/Latina Studies. Art. Edited by Rosa Alcala. SPIT TEMPLE collects texts and transcriptions of Vicuna's uncategorizable improvised performances, which combine singing, movement, chants, and stories. Also included are a critical introduction by Rosa Alcala, a poetic memoir by Vicuna (translated by Alcala) addressing her life

Poetic Encounters in the Americas: Remarkable Bridge examines the ways in which U.S. and Latin American modernist canons have been in cross-cultural, mutually enabling conversation, especially through the act of literary translation. Examining eighteen U.S. and Latin American poets, my book is one of the few works of criticism to present case studies in U.S. and Latin American poetries in dialogues that highlight the social life and imaginative encounters obtained through methodologies of translation and innovations in poetic technique.

This collection of essays is a tribute to Rachel Elior's decades of teaching, scholarship and mentoring. If a Festschrift reflects the individuality of the honoree, then this volume offers insights into the scope of Rachel Elior's interests and scholarly achievements in the study of the Dead Sea Scrolls, Jewish apocalypticism, magic, and mysticism from the Second Temple period to the later rabbinic and Hekhalot developments. The majority of articles included in the volume deal with Jewish and Christian apocalyptic and mystical texts constituting the core of experiential dimension of these religious traditions.

This book offers a matrixial, feminist-centered analysis of trauma and performance, through examining the work of three artists: Ann Hamilton, Renée Green, and Cecilia Vicuña. Each artist engages in a multi-media, or “combination” performance practice; this includes the use of site, embodied performance, material elements, film, and writing. Each case study involves traumatic content, including the legacy of slavery, child sexual abuse and environmental degradation; each artist constructs an aesthetic milieu that invites rather than immerses—this allows an audience to have agency, as well as multiple pathways into their engagement with the art. The author Niki Tulk suggests that these works facilitate an audience-performance relationship based on the concept of ethical witnessing/wit(h)nessing, in which viewers are not positioned as voyeurs, nor made to risk re-traumatization by being forced to view traumatic events re-played on stage. This approach also allows agency to the art itself, in that an ethical space is created where the art is not objectified or looked at—but joined with. Foundational to this investigation are the writings of Bracha L. Ettinger, Jill Bennett and Diana Taylor—particularly Ettinger’s concepts of the matrixial, carriance and border-linking. These artists and scholars present a capacity to expand and articulate answers to questions regarding how to make performance that remains compelling and truthful to the trauma experience, but not re-traumatizing. This study will be of great interest to students and scholars of performance studies, art history, visual arts, feminist studies, theatre, film, performance art, postcolonialism, rhetoric and writing.

The animal world is full of mysteries. Why do dogs slurp from their drinking bowls while cats lap up water with a delicate flick of the tongue? How does a tiny turtle hatchling from Florida circle the entire northern Atlantic before returning to the very beach where it hatched? And how can a Komodo dragon kill a water buffalo with a bite only as strong as a domestic cat's? These puzzles – and many more besides – are all explained by physics. From heat and light to electricity and magnetism, Furry Logic unveils the ways that more than 30 animals exploit physics to eat, drink, mate and dodge death in their daily battle for survival. Along the way, science journalists Matin Durrani and Liz Kalaugher introduce the great physicists whose discoveries helped us understand the animal world, as well as the animal experts of today who are scouring the planet to find and study the animals that seem to push the laws of physics to the limit. Presenting mind-bending physics principles in a simple and engaging way, Furry Logic will appeal both to animal lovers and to those curious to see how physics crops up in the natural world. It's more of a 'howdunit' than a whodunit, though you're unlikely to guess some of the answers.

The intersection of archaeology and text in the late Second Temple period -- 2. Purifying the body and hands -- 3. Creeping and swarming creatures, locusts, fish, dogs, chickens, and pigs -- 4. Household vessels: pottery, oil lamps, glass, stone, and dung -- 5. Dining customs and communal meals -- 6. Sabbath observance and fasting -- 7. Coins -- 8. Clothing and tzitzit -- 9. Oil and spit -- 10. Toilets and toilet habits -- 11. Tombs and burial customs -- 12. Epilogue: the aftermath of 70.