Spirou and Fantasio are caught up in another amazing adventure, set in a real historical context. It's summer 1989, a few months before the fall of the Berlin Wall, and the evil Zantafio is trying to take over East Germany. When he kidnaps the Count of Champignac, our two heroes find out and try to rescue him. But to do that, they have to cross Europe's most heavily guarded border. East Germany's notorious Secret Police, the Stasi, are soon hot on their trail, and Fantasio is arrested. So Spirou now has to free his friend as well as foil Zantafio's diabolical scheme.

Spirou and Fantasio’s friend, the Count of Champignac, asks them to join him in Australia, where he has heard that an ancient monolith is still standing. When they arrive, Champignac’s colleague Walker Donahue informs them that Champignac has been abducted by local gangster Sam. The monolith they’re after stands in the vicinity of an aboriginal mining village, which is constantly prey to white prospectors trying to steal indigenous resources. Spirou and Fantasio must save Champignac from Sam’s clutches and help him find the legendary monolith while standing by the aboriginal people.

The best part of Christmas is getting to hear one of Uncle Paul's stories. This year, Uncle Paul treats the kids—and us—to the story of the real-life boy who inspired the beloved Spirou. It's 1929. Ptirou is a circus acrobat who, while the world's economy is crashing, sees his own world fall apart. Orphaned, and possessing only his skill, a bottle of perfume, and an inherited dream, Ptirou sets out for New York and new adventures. With saboteurs on one side, the lovely Juliette on the other, and his own knack for mischief, Ptirou finds adventure aboard an ocean liner before it's even left port.

Lisa Forsberg is a rookie cop who has just taken her first assignment in the small Swedish city where she was born. In her youth she was a troublemaker, part of a hard-living subculture called "raggare" who worship American rock'n'roll and vintage cars from the 1950s. Now Lisa finds herself thrown back into this world when she is sent to investigate a missing person report involving people she went to school with. She and her partner, Erik Lund, will uncover secrets that put them in harm's way and bring them face-to-face with the unspeakable.

This graphic novel memoir chronicles a family's difficult journey to get to the other side of the Berlin Wall.

Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact—especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives—in their physical and metaphorical manifestations—this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.

An abandoned airfield in 1993: Two women exchange a 50-year-old letter. The year 1943: The crew of the Lancaster S-Snowwhite is dropping bombs on Germany. Seven men, so young and yet so old before their time. Seven dwarves for old Snow White, and their story of the war. The terror of night missions, the flak, the enemy fighters, the mid-air collisions... Death that strikes anywhere, any time, and the love you seek and latch on to desperately to feel alive while you can...