Stories are embedded in the world around us; in metal, in brick, in concrete, and in wood. In the very earth beneath our feet. Our history surrounds us and the tales we tell, true or otherwise, are always rooted in what has gone before. The spirits of place are the echoes of people, of events, of ideas which have become imprinted upon a location, for better or for worse. They are the genii loci of classical Roman religion, the disquieting atmosphere of a former battlefield, the comfort and familiarity of a childhood home. Twelve authors take us on a journey; a tour of places where they themselves have encountered, and consulted with, these Spirits of Place.

Spirits of the Place is a rare and timely contribution to our understanding of religious culture in Laos and Southeast Asia. Most often studied as a part of Thai, Vietnamese, or Khmer history, Laos remains a terra incognita to most Westerners—and to many of the people living throughout Asia as well. John Holt’s new book brings this fascinating nation into focus. With its overview of Lao Buddhism and analysis of how shifting political power—from royalty to democracy to communism—has impacted Lao religious culture, the book offers an integrated account of the entwined political and religious history of Laos from the fourteenth century to the contemporary era. Holt advances the provocative argument that common Lao knowledge of important aspects of Theravada Buddhist thought and practice has been heavily conditioned by an indigenous religious culture dominated by the veneration of phi, spirits whose powers are thought to prevail over and within specific social and geographical domains. The enduring influence of traditional spirit cults in Lao culture and society has brought about major changes in how the figure of the Buddha and the powers associated with Buddhist temples and reliquaries—indeed how all ritual spaces and times—have been understood by the Lao. Despite vigorous attempts by Buddhist royalty, French rationalists, and most recently by communist ideologues to eliminate the worship of phi, spirit cults have not been displaced; they continue to persist and show no signs of abating. Not only have the spirits resisted eradication, but they have withstood synthesis, subordination, and transformation by Buddhist political and ecclesiastical powers. Rather than reduce Buddhist religious culture to a set of simple commonalities, Holt takes a comparative approach, using his nearly thirty years’ experience with Sri Lanka to elucidate what is unique about Lao Buddhism. This stimulating book invites students in the fields of the history of religion and Buddhist and Southeast Asian studies to take a fresh look at prevailing assumptions and perhaps reconsider the place of Buddhism in Laos and Southeast Asia.

High above the noise and traffic of metropolitan Phoenix, Native American rock art offers mute testimony that another civilization once thrived in the Arizona desert. In the city's South Mountains, prehispanic peoples pecked thousands of images into the mountains' boulders and outcroppings—images that today's hikers can encounter with every bend in the trail. Todd Bostwick, an archaeologist who has studied the Hohokam for more than twenty years, and Peter Krocek, a professional photographer with a passion for archaeology, have combed the South Mountains to locate nearly all of the ancient petroglyphs found in the canyons and ridges. Their years of learning the landscape and investigating the ancient designs have resulted in a book that explores this wealth of prehistoric rock art within its natural and cultural contexts, revealing what these carvings might mean, how they got there, and when they were made. Landscape of the Spirits is the first book to cover these ancient images and is one of the most comprehensive treatments of a rock art location ever published. It conveys the range of different rock art elements and compositions found in the South Mountains—animals, humans, and geometric shapes, as well as celestial and calendrical markings at key sites—through accurate descriptions, drawings, and photographs. Interpretations of the petroglyphs are based on Native American ethnographic accounts and consider the most recent theories concerning shamanism and archaeoastronomy. Written in a simple and accessible style, Landscape of the Spirits is an indispensable volume for anyone exploring the South Mountains, and for rock art enthusiasts everywhere who wish to broaden their understanding of the prehistoric world. It is both an authoritative overview of these ancient wonders and an unprecedented benchmark in southwestern rock art research at a single geographic location.

"This book sms up one schllar/artist's lifetime of good work and takes us deep into the soul of the Southwest."--Stephen Trimble, author of The People: Indians of the Amierican Southwes.

"What might it mean, existentially and spiritually, to form an intimate relation with discrete places on earth? This book offers a uniquely integrative perspective on the matter. Centered on analyzing US literatures, it reflects a theological phenomenology cognizant of the spiritualities grounded in First Nature as well as settled spaces" --

A "Falling kingdoms spin-off series, which explores a whole new side of Mytica"--Dust jacket flap.

The bestselling book from two prizewinning, critically acclaimed contemporary chroniclers of San Francisco-a rich, illustrated, idiosyncratic portrait of this great city. In Spirits of San Francisco, #1 bestselling Cool Gray City of Love author Gary Kamiya joins forces with celebrated, bestselling artist Paul Madonna to take a fresh look at this one-of-a-kind city. Marrying image and text in a way no book about this city has done before, Kamiya's illuminating narratives accompany Madonna's masterful pen-and-ink drawings, breathing life into San Francisco sites both iconic and obscure. Paul Madonna's atmospheric images will awe: his wide-angle drawings offer a new perspective on the “crookedest street in the world” and vistas across the city. And Kamiya's engaging prose, accompanying each image, offers striking vignettes of this incredible city: witness his story of “Dumpville,” the bizarre community that sprang up in the 19th century on top of a massive garbage dump. Handsome and irresistible-much like the city it chronicles-Spirits of San Francisco is both a visual feast and a detailed, personal, loving, informed portrait of a beloved city.