Charles de Lint's Newford novels, loosely linked "tales" with overlapping characters set in an imaginary modern North American city, are tales of magic and myth afoot on today's city streets. But at the center of every de Lint story is the miracle of the human heart. And at the heart of Spirits in the Wires are Saskia Madding and Christiana Tree, both of whom are tied to perennial Newford character, the writer Christy Riddell. Are either Saskia or Christiana real? Christy's girlfriend, Saskia, believes she was born in a Web site, while Christiana is Christy's "shadow-self"--all the parts of him that he cast out when he was seven years old. At a popular Newford on-line research and library Web site called the Wordwood, a mysterious "crash" occurs. Everyone visiting the site at the moment of the crash vanishes from where they were sitting in front of their computers. Saskia disappears right before Christy's eyes, along with countless others. Now Christy and his companions must journey into Newford's otherworld, where the Wordwood, it transpires, has a physical presence of its own...to rescue their missing friends and loved ones and to set this viral spirit right before it causes further harm. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

At the heart of Tamson House is the Wood. And in that Wood is the Mystery Tamson House, in modern, urban Ottawa, is a rambling, eccentric curiosity of a house—and a place of hidden Power. Built at a point where the leylines meet, upon land that was once a sacred site, it is the gateway to a spirit world where Celtic and Native American magicks mingle and leak into our own. In the overgrown garden of Tamson House, a Coyote Man waits, green children walk, and music rises to greet the moon. From the garden, a vast and primal wood is just one spirit-step away... and in that wood is something that threatens the very existence of Tamson House, and all who dwell within. Charles de Lint returns to the spirit-world of his bestselling Moonheart in a splendid work of urban fantasy, bringing myth, music, and magic into our modern world.

“[This] fantasy moves from the outer to the inner world with amazing ease and should satisfy new and old fans of this prolific and gifted storyteller.” —Publishers Weekly In novel after novel, and story after story, Charles de Lint has brought an imaginary North American city to vivid life. Newford: where magic lights dark streets; where myths walk clothed in modern shapes; where a broad cast of extraordinary people work to keep the whole world turning. At the center of all the entwined lives in Newford stands a young artist named Jilly Coppercorn, with her tangled hair, her paint-splattered jeans, a smile perpetually on her lips—Jilly, whose paintings capture the hidden beings that dwell in the city’s shadows. Now, at last, de Lint tells Jilly’s own story . . . for behind the painter’s fey charm lies a dark secret and a past she’s labored to forget. And that past is coming to claim her now. “I’m the onion girl,” Jilly Coppercorn says. “Pull back the layers of my life, and you won’t find anything at the core. Just a broken child. A hollow girl.” She’s very, very good at running. But life has just forced Jilly to stop. At the Publisher’s request, this title is being sold without Digital Rights Management Software (DRM) applied. “A master storyteller, [de Lint] blends Celtic, Native American, and other cultures into a seamless mythology that resonates with magic and truth.” —Library Journal “Like great writers of magic realism, [de Lint] writes about people in the world we know, encountering magic as a part of that world. Fairy tales come true, and their magic affects realistic characters full of particular lusts and fears.” —Booklist

An all-new collection of short fiction in Charles de Lint's "Newford" universe.

A scientist, Raimonds asks hard questions and is not afraid to attempt to find the answers. One question that has plagued him is whether the human soul, or spirit, is unique in each person? To answer this, Raimonds must become the first person to identify and witness the soul or spirit at work within living people, then make comparisons.