If Kant had never made the "critical turn" of 1773, would he be worth more than a paragraph in the history of philosophy? Most scholars think not. But this text challenges that view by revealing a precritical Kant who was immensely more influential than the one philosophers think they know.

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In An Introduction to Kant’s Aesthetics, Christian Wenzel discusses and demystifies Kant’s Critique of the Power of Judgment, guiding the reader each step of the way and placing key points of discussion in the context of Kant’s other work. Explains difficult concepts in plain language, using numerous examples and a helpful glossary. Proceeds in the same order as Kant’s text for ease of reference and comprehension. Includes an illuminating foreword by Henry E. Allison. Offers twenty-six further-reading sections, commenting briefly on books and articles from the English, German, and French, that are relevant for each topic Provides an extensive bibliography and a chapter summarizing Kant's main points.

Kant is generally regarded as the greatest modern philosopher. But that analytic philosophers treat him as a central voice in contemporary debates is largely due to Sir Peter Strawson, the most eminent philosopher living in Britain today. In this collection, leading Kant scholars and analytic philosophers, including Strawson himself, for the first time assess his relation to Kant. The essays raise questions about how philosophy should deal with its past, what kind of insights it can achieve, and whether we can have knowledge of an objective reality.

The essays in this volume discuss the questions at the core of Kant's pioneering work in the philosophy of history.