Spicy Western Stories slaps leather with public domain comic books! Flamingo is a saloon dancer that goes from one mystery to another, Polly of the Plains sets out on her numerous adventures, Lariat Lucy lassos larcenies, Fighting Bob Dale punches poachers, an outlaw turns into a werewolf, and a native warrior hunts the Horned Man! 100 Big Pages of wild weird west wonders!

The famous "Spicy" pulp magazines of the 1930s and 1940s are among the rarest and most sought-after publications by collectors. The "Spicy" magazines -- which included Spicy Mystery, Spicy Adventure, Spicy Detective, and others -- published a titilating mix of fantasy, horror, mystery, action-adventure, and suspense, punctuated by episodes of torture, sadism, sex, and other risque elements. Although tame by current standards, and sometimes of dubious literary merit, these publications presented tales which thrilled a sensation-hungry audience. Despite the themes and constraints of the market, writers who would later become famous -- including Hugh B. Cave, E. Hoffman Price, Robert Leslie Bellem, and many more -- were frequent contributors. The December 1939 issue of Spicy Adventure Stories includes contributions from Robert Leslie Bellem, Lew Merrill (Victor Rousseau), Hugh Speer, Ken Cooper, Clayton Maxwell, Clark Nelson, and Harley L. Court.

An Oprah Magazine Best Romance Novel of 2020 In this brand-new series from award-winning author Rebekah Weatherspoon, a charming cowboy and his sleeping beauty find their modern-day happily ever after . . . With a headline spot on a hit morning show and truly mouth-watering culinary skills, chef Evie Buchanan is perched on the edge of stardom. But at an industry party, a fall lands Evie in the hospital—with no memory of who she is. Scrambling to help, Evie’s assistant contacts the only “family” Evie has left, close friends who run the luxury dude ranch in California where Evie grew up. Evie has no recollection of them—until former rodeo champion Zach Pleasant walks into her hospital room, and she realizes his handsome face has been haunting her dreams . . . Zach hasn’t seen Evie in years—not since their families conducted a campaign to make sure their childhood friendship never turned into anything more. When the young cowboy refused to admit the feelings between them were real, Evie left California, making it clear she never wanted to see Zach again. Now he refuses to make the same mistake twice. Starting fresh is a risk when they have a history she can’t recall, but Zach can’t bear to let go of her now. Can he awaken the sleeping beauty inside her who might still love him?

Why do the earliest representations of cowboy-figures symbolizing the highest ideals of manhood in American culture exclude male-female desire while promoting homosocial and homoerotic bonds? Evidence from the best-known Western writers and artists of the post-Civil War period - Owen Wister, Mark Twain, Frederic Remington, George Catlin - as well as now-forgotten writers, illustrators, and photographers, suggest that in the period before the word 'homosexual' and its synonyms were invented, same-sex intimacy and erotic admiration were key aspects of a masculine code. These males-only clubs of journalists, cowboys, miners, Indian vaqueros defined themselves by excluding femininity and the cloying ills of domesticity, while embracing what Roosevelt called 'strenuous living' with other bachelors in the relative 'purity' of wilderness conditions. Queer Cowboys recovers this forgotten culture of exclusively masculine, sometimes erotic, and often intimate camaraderie in fiction, photographs, illustrations, song lyrics, historical ephemera, and theatrical performances.

The pulp magazines of the early to mid 20th Century are often "politically incorrect" by modern standards. However, the "Spicy" magazines -- Spicy-Adventure Stories, Spicy Mystery, Spicy Western, etc. -- were politically incorrect by their own contemporary standards as well. With the occasional passing glimpse of a creamy-smooth thigh (or other womanly part!), and often filled with sexism, racism, and over-the-top plots and language, they nevertheless manage to titillate with more innuendo than anything else. If you find such things offensive, this is definitely not the right MEGAPACK™ for you. But if you enjoy the occasional stroll down the back alleys of pulp publishing, here's a walk on the seamy side of the 1930s! Included are: THE SHANGHAI JESTER, by Robert Leslie Bellem BLACK MURDER, by Carl Moore SUEZ SOUVENIR, by Jerome Hyams THE HOUSE OF WEIRD SLEEP, by Charles R. Allen CAVE OF THE CRISS-CROSS KNIVES, by C.C. Spruce HOT BLOOD, by Arthur Wallace THE MOON GOD TAKES, by Robert Leslie Bellem SMUGGLER’S ISLAND, by Atwater Culpepper TALISMAN OF DOOM, by James W. Marvin TATTOOED BLONDE, by Ellery Watson Calder WHITE MEAT, by Don King RED BAMBOO, by Jason Lyttell THE BLACK , by Ellery Watson Calder THE ISLE OF MONSTERS, by Jane Thomas TUFFY AND HIS HAREM, by Nick Anderson QUEEN OF THE FLAMING ARROWS, by Frank E. Marks VALLEY OF BLOOD, by Victor Rousseau LUST TO KILL, by Jose Vaca MARRIAGE FOR MURDER, by C.A.M. Donne MESSAGE TO MORGAN, by Guy Russell RIVER OF FIRE, by Ken Cooper SKY GODDESS, by Clive Trent LEAF OF THE LOTUS, by Guy Russell THE DEVIL'S DAUGHTER, by Clark Nelson ADVENTURE'S END, by Robert Leslie Bellem If you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 230+ other entries in this series, including mysteries, adventure, science fiction, fantasy, horror, westerns -- and much, much more!

The famous "weird menace" pulp magazines of the 1930s and 1940s are among the rarest and most sought-after publications by collectors. The "Spicy" magazines -- which included Spicy Mystery, Spicy Adventure, Spicy Detective, and others -- published a titilating mix of fantasy, horror, mystery, and suspense, punctuated by episodes of torture, sadism, sex, and other risque elements. Although tame by current standards, and sometimes of dubious literary merit, these publications presented tales which thrilled a sensation-hungry audience. Despite the themes and constraints of the market, writers who would later become famous -- including Hugh B. Cave, E. Hoffman Price, Robert Leslie Bellem, and many more -- were frequent contributors. The February 1937 issue features Bellem, Hugh Speer, Justin Case (Hugh B. Cave), and many others -- plus all the classic "spicy" artwork!

Newly widowed after a shockingly brief marriage to an elderly British lord, Jocelyn Fleming still aches with the pain of unexplored desire. And now her restless heart is leading her far from the protective bosom of polite London society to the perilous beauty of the American West . . .and to Colt Thunder. Breathlessly exciting but dangerously unpredictable, Colt is a loner whose Cheyenne blood burns hotter than the blistering Arizona sun. Jocelyn's wealth and title mean nothing to this strange whose passion rules his actions and his heart. But neither the wild desert stallion nor the untouched English rose can deny their irresistible attraction. . .or prevent the firestorm of emotion that erupts when their vastly different worlds collide.