With Speech Is My Hammer, Max Hunter draws on memoir and his own biography to call his readers to reimagine the meaning and power in literacy. Defining literacy as a “spectrum of skills, abilities, attainments, and performances,” Hunter focuses on dispelling “literacy myths” and discussing how Black male artists, entertainers, professors, and writers have described their own “literacy narratives” in self-conscious, ambivalent terms. Beginning with Frederick Douglass’s My Bondage My Freedom, W. E. B. Dubois’s Soul of Black Folks, and Langston Hughes’s Harlem Renaissance–memoir The Big Sea, Hunter conducts a literary inquiry that unearths their double-consciousness and literacy ambivalence. He moves on to reveal that for many contemporary Black men the arc of ambivalence rises even higher and becomes more complex, following the civil rights and the Black Power movements, and then sweeping sharply upward once again during the War on Drugs. Hunter provides rich illustrations and probing theses that complicate our commonsense reflections on their concealed angst regarding Black authenticity, respectability politics, and masculinity. Speech Is My Hammer moves the reader beyond considering literacy in normative terms to perceive its potential to facilitate transformative conversations among Black males.

Beloved picture book creator David Shannon introduces a new character in a satisfyingly silly and subversive take on a familiar parable. If all you have is a hammer, everything looks like a nail. Meet Mr. Nogginbody. Armed with his new hammer he fixes his floor then the wall and the picture on the wall and the shower and the stop sign at the end of the street. . . What else will Mr. Nogginbody “fix”? Celebrated author David Shannon’s comically misguided new character gets carried away by success, and kids will laugh out loud at the consequences.

Focusing on racial identity, popular cultures, and freedom struggles, these essays and interviews are collected from one of the most insightful and thought-provoking black intellectuals to emerge since the heyday of the Civil Rights Movement.

"Where is the most boring town in eastern Canada? How cana government most efficiently mismanage prosperity? Are all of our contemporary psychoses a direct result of the motion-picture montage? In this collection of hilarious essays, Edward Riche stretches his satiric muscles to lambaste just about anything that crosses his field of vision. Newfoundland writes a heartfelt letter to Canada, offering to console mainland frustrations over a pint. The Canadian government brainstorms to find which national symbol it can ruin next. And a concerned citizen writes a scathing critique of The Muskrat Falls Festival of the Arts, now hundreds of dollars over budget. In 'Bag of hammers' Riche reminds us just how enlivening and enlightening satire can be, and how much we need it right now." --

The first novel in Mickey Spillane's classic detective series starring hard-boiled private eye Mike Hammer. I, the Jury is a double-strength shot of sex, violence, and action that is vintage Spillane all the way. It's a tough-guy mystery to please even the most bloodthirsty of fans.