Main description: The author argues for a new, linguistically grounded typology of speech and thought representation in English from a cognitive-linguistic perspective. Apart from direct and indirect speech/thought, the types described include the character-oriented free indirect and the narrator-oriented distancing indirect type, and two subjectified types in which reporting clauses such as I think function as hedges.

This book aims to provide a new, linguistically grounded typology of speech and thought representation in English on the basis of the systematic study of deictic, syntactic and semantic properties of authentic examples drawn from literary as well as non-literary sources. In the area beyond direct and indirect speech or thought, ‘free indirect discourse’ has often been implicitly treated as a residual category that can accommodate anything that is neither one nor the other. This book takes a fresh look at the evidence in the area of deixis, particularly through a close study of pronoun and proper name use, and proposes to distinguish the more character-oriented free indirect type from a narrator-oriented ‘distancing’ indirect type, which is grammatically wholly structured from the narrator’s deictic standpoint. Unlike free indirect representations, which coherently represent the character’s viewpoint, the distancing indirect type sees narrators appropriating character discourse for their own purposes, which may for instance be ironic. The distinctions thus drawn shed new light on the much debated ‘dual voice’ approach to free indirect discourse. Included in the scope of this book are subjectified uses of clauses such as I think, which no longer primarily construe a cognition process, but rather come to function as hedges. Such speaker-encoding uses are argued to involve an interpersonal type of structure, not based on complementation, whereas the non-subjectified cases receive an interclausal complementation analysis which does not have recourse to the problematic notion of ‘reporting verb’. This monograph is mainly of interest to researchers and graduate students interested in the syntax, semantics, and pragmatics of reported speech viewed from a constructional perspective.

Representing what someone else has said is an integral part of spoken and written communication. Speech representation occurs in many contexts from news reports and legal trials to everyday conversation. Although commonplace, it requires sophisticated choices regarding what to represent and how to represent it. These choices can highlight a speaker's voice, shape our perception of the reported speech, or support our claims of authority.While speech representation in Present-day English has been studied extensively, this book extends the discussion to historical periods. Speech Representation in the History of English explores speech representation of the past, providing in-depth analyses of how speakers and writers mark, structure, and discuss a previous speech event or fictional speech. Focusing on the Early Modern English and the Late Modern English periods (1500-1900), this volume covers topics such as parentheses as markers of represented speech, the development of like as a reporting expression, the gradual formation of free indirect speech reporting, and the interpersonal functions of represented speech. Chapters draw on a wide range of methodologies, including historical sociolinguistics, pragmatics, and corpus linguistics, and cover many genres from witness depositions, literary texts, and letters, to the spoken language of the recent past. In this comprehensive volume, Peter Grund and Terry Walker bring together a collection of works that use cutting-edge approaches to speech representation. Researchers and students of the history of English, sociolinguistics, and discourse studies alike will find Speech Representation in the History of English to be an invaluable addition to the field.

Narratives enable readers to vividly experience fictional and non-fictional contexts. Writers use a variety of language features to control these experiences: they direct readers in how to construct contexts, how to draw inferences and how to identify the key parts of a story. Writers can skilfully convey physical sensations, prompt emotional states, effect moral responses and even alter the readers' attitudes. Mind, Brain and Narrative examines the psychological and neuroscientific evidence for the mechanisms which underlie narrative comprehension. The authors explore the scientific developments which demonstrate the importance of attention, counterfactuals, depth of processing, perspective and embodiment in these processes. In so doing, this timely, interdisciplinary work provides an integrated account of the research which links psychological mechanisms of language comprehension to humanities work on narrative and style.

Monika Fludernik presents a detailed analysis of free indirect discourse as it relates to narrative theory, and the crucial problematic of how speech and thought are represented in fiction. Building on the insights of Ann Banfield's Unspeakable Sentences, Fludernik radically extends Banfield's model to accommodate evidence from conversational narrative, non-fictional prose and literary works from Chaucer to the present. Fludernik's model subsumes earlier insights into the forms and functions of quotation and aligns them with discourse strategies observable in the oral language. Drawing on a vast range of literature, she provides an invaluable resource for researchers in the field and introduces English readers to extensive work on the subject in German as well as comparing the free indirect discourse features of German, French and English. This study effectively repositions the whole area between literature and linguistics, opening up a new set of questions in narrative theory.

This book represents a new direction at the interface between the fields of stylistics and corpus linguistics, namely the use of a corpus methodology to investigate how people's words and thoughts are presented in written narratives.

This book is a state-of-the-art overview of English historical pragmatics, covering a range of topics, including pragmatic markers, speech representation, address terms, speech acts, politeness, and registers, genres and style. It is essential reading for both students and scholars of English linguistics and historical linguistics.