Speculum vitae is the hitherto unedited translation into Middle English verse of Lorens of Orleans's profoundly influential pastoral treatise, Somme le roi. The translation, in Yorkshire dialect, is a vast work, 16,000 lines in four-stress couplets, and more than forty extant copies testify to its popularity. Despite the evident editorial difficulties which it presents, the previous neglect of Speculum vitae is to be regretted. It is the product of an important regional centre, and should take its place alongside the other monuments of this tradition: Cursor Mundi, The Prick of Conscience, and the Northern Homily Cycle. Moreover, it is important as a versification of Lorens's catechetical classic, which was a ceaseless inspriation for Middle English prose translators - the Speculum is the only known verse translation. This edition is based on a collation of the five early manuscripts, all Yorkshire productions, which communicate a distinct, and usually more satisfactory, form of the text than the remaining copies. The Introduction will discuss the manuscripts, authorship, dialect, and date, with an account both of its source and other works which it has influenced. The volume will contain a bibliography, notes, and glossary.

Reading English Verse in Manuscript, c.1350-c.1500 is the first book-length history of reading for later Middle English poetry. While much past work in the history of reading has revolved around marginalia, this book consults a wider range of evidence, from the weights of books in medieval bindings to relationships between rhyme and syntax. It combines literary-critical close readings, detailed case studies of particular surviving codices, and systematic manuscript surveys drawing on continental European traditions of quantitative codicology to demonstrate the variety, vitality, and formal concerns visible in the reading of verse in this period. The small- and large-scale formal features of poetry affected reading subtly but extensively, determining how readers might move through books and even shaping physical books themselves. Readers' responses to one formal feature, rhyme, meanwhile, evince a habitual but therefore deep-rooted formalism which can support and enhance close readings today. Reading English Verse in Manuscript sheds fresh light on poets such as Geoffrey Chaucer, John Lydgate, and Thomas Hoccleve, but also shows how their works were read in manuscript in the context of a much larger mass of anonymous poems that influenced canonical poems, in a pattern of mutual influence.