In their third and final spooky adventure, Denzel and his friends face the biggest, baddest ghost of all: The Ghostfather. He's making a comeback, and he needs Denzel's help, whether he likes it or not! For readers who like their funny stories to be just a little bit spooky too... Look out for other titles in the Spectre Collectors series: Spectre Collectors: Too Ghoul for School, Spectre Collectors: A New York Nightmare!

Denzel is having no luck with his maths homework. First, it's too difficult, then there's a terrifying mess of smoky black tendrils that wants to kill him, then two teenagers explode through his window holding guns and throwing magic. They are the Spectre Collectors, and spooky is their speciality. Realising that Denzel has a special gift, they sweep him off to their headquarters for training. Tested with awesome weapons and ancient magic, Denzel realises just how little he knows. But there's a serious problem on its way from the Spectral Realm, so Denzel has a lot to learn. FAST. For readers who like their funny stories to be just a little bit spooky too... Look out for other titles in the Spectre Collectors series: Spectre Collectors: A New York Nightmare! Spectre Collectors: Rise of the Ghostfather!

The second in Barry's Hutchison's very funny series about Denzel and his unusual friend, Smithy, full of ghouls, magic and outrageous battles. Denzel and Smithy are summoned to the US by the New York branch of the Spectre Collectors, who turn out to be two kids called Weinberg and Martinez. There's been some weird spectral activity and they need help. Soon Denzel is immersed (literally) in an adventure involving a shark, a massive gorilla and lots and lots of evil ghosts. He's even hearing voices... For readers who like their funny stories to be just a little bit spooky too... Look out for other titles in the Spectre Collectors series: Spectre Collectors: Too Ghoul for School Spectre Collectors: Rise of the Ghostfather!

The latest in a hilarious and spooky series packed with ghosts, gadgets and secret organisations!

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

This book investigates the discursive practices of philosophy and theater/performance on the basis of actual encounters between representatives of these two fields.

A remarkable collection of short expressionist stories by Russian playwright, novelist, and short-story writer, Leonid Nikolaievich Andreyev, who was considered to be the father of Expressionism in Russian literature. Traces of compassion, beauty, and sympathetic insight are encountered on every page side by side with barbarity and crudeness, the reason being that Andreyev portrays life without hiding, without neglecting any part of it. The Little Angel, and other stories (1916) was of one of his collections that were extensively translated into book form. The plots in these stories are straightforward, the characters are isolated, and the endings are harsh and profound in their sadness. Because of the cumulative descriptions of the strange and the dreadful, Andreyev has been called the Russian Edgar Allan Poe. During the 1914-1929 period, America was eager for anything similar to Edgar Allan Poe. As Poe's Russian equivalent, translations of Andreyev's work found a ready audience in the English-speaking world. This collection contains the following short stories: The Little Angel At the Roadside Station Snapper The Lie An Original Petka at the Bungalow Silence Laughter The Friend In the Basement The City The Marseillaise The Tocsin Bargamot and Garaska Stepping-stones The Spy