"This book is about the ritual world of a group of rural settlements in Shanxi province in pre-1949 North China. Temple festivals, with their giant processions, elaborate rituals, and operas, were the most important influence on the symbolic universe of ordinary villagers and demonstrate their remarkable capacity for religious and artistic creation. The great festivals described in this book were their supreme collective achievements and were carried out virtually without assistance from local officials or educated elites, clerical or lay. Chinese culture was a performance culture, and ritual was the highest form of performance. Village ritual life everywhere in pre-revolutionary China was complex, conservative, and extraordinarily diverse. Festivals and their associated rituals and operas provided the emotional and intellectual materials out of which ordinary people constructed their ideas about the world of men and the realm of the gods. It is, David Johnson argues, impossible to form an adequate idea of traditional Chinese society without a thorough understanding of village ritual. Newly discovered liturgical manuscripts allow him to reconstruct North Chinese temple festivals in unprecedented detail and prove that they are sharply different from the Daoist- and Buddhist-based communal rituals of South China."

This book describes the ritual world of a group of rural settlements in Shanxi province in pre-1949 North China. The great festivals were their supreme collective achievements, carried out virtually without aid from local officials or educated elites. Newly discovered manuscripts allow Johnson to reconstruct the festivals in unprecedented detail.

"An exciting and sophisticated approach to a major author in the Latin canon who has been much ignored. Feldherr's writing is clear and intelligent and admirably reflects his engagement in the material. The close analysis is extraordinarily perceptive and innovative—a real pleasure to read."—Ann Vasaly, author of Representations "[Feldherr] persuasively establishes civic spectacle as a broad category under which to examine the rhetorical strategies of both the makers and the writers of history."—Ralph Hexter, University of California, Berkeley

NASCAR, Sturgis, and the New Economy of Spectacle maps the structure of economies of spectacle in stock car racing and large displacement motorcycle rallying. The book traces the historical development of economic spectacles and models the structural components and moving parts that sustain them. Economies of spectatorship emerge when activities and legends in the cultural commons are privatized or enclosed as immaterial property. Once privatized, a spectacular diegesis supports a triple-circuit of profit: spectatorship markets (payments to see), sponsorship markets (payments to be seen) and trophy markets (payments to be seen enjoying). Vivid illustrations of legendary action in NASCAR and carnivalesque displays at Sturgis reveal how spectator events function as intensive sites of profit-making in contemporary capitalism.

The term "sacrifice" belies what is a complex and varied transhistorical and transcultural phenomenon. Bringing together scholars from such diverse fields as anthropology, archaeology, epigraphy, literature, and theology, Diversity of Sacrifice explores sacrificial practices across a range of contexts from prehistory to the present. Incorporating theory, material culture, and textual evidence, the volume seeks to consider new and divergent data related to contexts of sacrifice that can help broaden our field of vision while raising new questions. The essays contributed here move beyond reductive and simple explanations to explore complex areas of social interaction. Sacrifice plays a key role in the overlapping sacred and secular spheres for a number of societies in the past and present. How religious beliefs and practices can be integral parts of life on individual and community levels is of fundamental importance to understanding the past and present. In addition to aiding scholarly research, Diversity of Sacrifice enables students to explore this rich theme across Europe and the Mediterranean with clear discussions of theory and data.

Warfare in the pre-Columbian Andes took on many forms, from inter-village raids to campaigns of conquest. Andean societies also created spectacular performances and artwork alluding to war – acts of symbolism that worked as political rhetoric while drawing on ancient beliefs about supernatural beings, warriors, and the dead. In this book, Elizabeth Arkush disentangles Andean warfare from Andean war-related spectacle and offers insights into how both evolved over time. Synthesizing the rich archaeological record of fortifications, skeletal injury, and material evidence, she presents fresh visions of war and politics among the Moche, Chimú, Inca, and pre-Inca societies of the conflict-ridden Andean highlands. The changing configurations of Andean power and violence serve as case studies to illustrate a sophisticated general model of the different forms of warfare in pre-modern societies. Arkush's book makes the complex pre-history of Andean warfare accessible by providing a birds-eye view of its major patterns and contrasts.

There were all these maddening permutations of what could be that were not to be ignored....Yet, there was also a stunning beauty to all of this that was so profound that one could not help but love every facet of every conceivability, whether realized or beyond reach. There was so much to capture even in stillness that was akin to grasping at grains of sand so fine as to elude the grip-it was all so intricate, so overwhelming and so rapid, and nothing ever ceased in its glorious transformation...There was an exhilaration in being engrossed in the details that evaded capture and in being oneself ensconced in constant flux so as to surrender without recourse to what was to come...There is no instance that ever becomes the destination, no circumstance the definitive possibility, and one, for that very fact, could scarcely help but be filled with a heartening love for all of creation...The Moment, after all, was Always and thus there was no 'before, ' no instance preceding the instance