The Vacanas Or Free-Verse Lyrics Written By Four Major Saints Of The Great Bhakti Protest Movement Which Originated In The Tenth Century Ad. Composed In Kannada, A Dravidian Language Of South India, The Poems Are Lyrical Expressions Of Love For The God Siva. They Mirror The Urge To Bypass Tradition And Ritual, To Concentrate On The Subject Rather Than The Object Of Worship, And To Express Kinship With All Living Things In Moving Terms. Passionate, Personal, Fiercely Monotheistic, These Free Verses Possess An Appeal, Which Is Timeless And Universal.

Originally published under the title Asceticism and Eroticism in the Mythology of Siva, this book traces the development of an Indian approach to an enduring human dilemma: the conflict between spiritual aspirations and human desires. The work examines hundreds of related myths and a wide range of Indian texts--Vedic, Puranic, classical, modern, and tribal--centering on the stories of the great ascetic, Siva, and his erotic alter ego, Kama.

12-century saint-poet Allama Prabhu, along with Basavanna and Akka Mahadevi, was a founder of the Virashaiva or Lingayat movement in Karnataka. During a period of intense religious ferment, these Sharanas--protégés of Shiva--aimed to dismantle religious hierarchy and bigotry. They rebelled against exploitation based on class, caste and gender through their vachanas, which were ahead of their times. Today, the Lingayats regard these vachanas as their sacred literature. The vachanas of Allama Prabhu are rooted firmly in the idea of experiential reality. From gazing at Shiva from a distance, to uniting with Him, to declaring He doesn't exist and to finally realizing that He exists in a dynamic void--these poems represent Allama's quest for Shiva. They are passionate and filled with yearning; critical and brazen. Translated with great skill and fluidity by Manu Devadevan, God Is Dead, There Is No God is a treat for modern-day seekers as well as poetry lovers.

'[Vinaya Chaitanya shows] an acute awareness of textual issues that never bothered earlier translators.' - From the foreword by H.S. Shivaprakash Hailed as an early feminist literary voice, Akka Mahadevi was born in twelfth-century Karnataka. As a child she was initiated into the worship of Channamallikarjuna, her village's version of Siva. She was forced to marry her region's ruler, but because she had become so ardently devoted to the god, Akka abandoned her husband and all her possessions and wandered alone - a naked poet-saint covered only by her long hair. Her vacanas, a new populist literary form meaning literally 'to give one's word' - demonstrate both her radical devotion to Siva and the commitment to equality her Virasaiva poetry embodied.

As its mahout goaded the mammoth royal elephant to the open space where Navukkarasu was held, the beast trumpeted in fury, knocking down walls and ornamental arches in wanton aggression. The earth shook under its tread and the crowd surged back in fear. Navukkarasu fearlessly stood his ground asserting, “The Cosmic Dancer who wears a garment of elephant hide will protect me.” The animal charged forward - only to stop short before the saint. In an instant, all aggression leached out of the beast. As docile as a lamb, the elephant circumambulated Navukkarasu, clumsily fell to its knees, and raised its trunk in homage to him. Lumbering to its feet, it then carefully backed away from its intended victim. Hounds of Shiva is a treasure house of tales with impassioned, heroic acts of sacrifice, devotion and service in the lives and times of the Nayanmars – the sixty-three Shaivite saints who were exemplars of bhakti. Kannappa gouges out his eye to heal Shiva’s wound; Punitavati renounces her youth and beauty to follow the Lord as an emaciated ghoul; Siruthondar sacrifices his own son at Shiva’s command; Iyarpahai gifts his beloved wife to another man; Samandhar raises a boy from the dead; Poosal builds an intricate Shiva temple in his heart. But the book’s hero is Lord Shiva, who assumes myriad disguises to sport with his devotees, blessing and testing them. Filled with astounding miracles, Hounds of Shiva is an untold tale of the Blue-throated Lord and a feast for the mind and soul. Preetha Rajah Kannan is the author of Shiva in the City of Nectar, an enthralling collection of stories based on the revered Tamil text, Thiruvilayaadal Puranam. She is also the editor of Navagraha Purana, a translation of the eponymous Telugu work on the mythology of the nine planets, by celebrated author V. S. Rao. Kannan has contributed extensively to newspapers and magazines, such as The New Indian Express and The Express School Magazine. A homemaker and a mother of two boys, she lives with her family in Madurai, Tamil Nadu.

When was the last time you actually looked forward to reading a textbook? With "Speak Up", thousands of students have been doing just that -- getting more out of their speech courses and having fun while doing it. It's a different kind of textbook, combining great writing and examples with more than 500 hand-drawn illustrations that bring speechmaking to life. It's all designed to help you ace the course and prepare you to speak effectively on campus, on the job, and beyond. -- From publisher's description.

Speaking of Siva is a selection of vacanas or free-verse sayings from the Virasaiva religious movement, dedicated to Siva as the supreme god. Written by four major saints, the greatest exponents of this poetic form, between the tenth and twelfth centuries, they are passionate lyrical expressions of the search for an unpredictable and spontaneous spiritual vision of 'now'. Here, yogic and tantric symbols, riddles and enigmas subvert the language of ordinary experience, as references to night and day, sex and family relationships take on new mystical meanings. These intense poems of personal devotion to a single deity also question traditional belief systems, customs, superstitions, image worship and even moral strictures, in verse that speaks to all men and women regardless of class and caste.