Including the work of Derrick Bell, Trey Ellis, Haki Madhubuti, Clarence Major, Walter Mosley, Quincy Troupe, John Edgar Wideman, and August Wilson, among others, Speak My Name explores the intimate territory behind the myths about black masculinity.

For centuries, African American women have been remaking the world, giving testament to the power of hope, courage, and resilience. But it took the inspired generosity of Oprah Winfrey to honor fully the many gifts of sisterhood. For three amazing days–from May 13 to 15, 2005–a distinguished group of women was invited to celebrate the enduring achievements of twenty-five of their mentors and role models–and in the process pay tribute to the long, glorious tradition of African American accomplishment. The brilliant centerpiece of the weekend was the reading aloud of Pearl Cleage’s poem “We Speak Your Names,” written especially for the occasion and appearing here for the first time in this beautiful keepsake book. As deeply moving in print as it was during that weekend of love and praise, the poem names each of the women honored: Dr. Maya Angelou, Coretta Scott King, Diahann Carroll, Toni Morrison, Nikki Giovanni, Rosa Parks, Katherine Dunham, and other legends of the brightest magnitude. With heartfelt eloquence, Pearl Cleage (herself a luminary of the younger generation) celebrates her distinguished elders’ strength, their magic, their sensuality, their loving kindness, their faith in themselves, and the priceless example of their lives. In her introduction, the poet shares: “My sisters, here, there, and everywhere, this poem is for you. Use it, adapt it, pass it on. . . .” Destined to become a classic, We Speak Your Names is a treasure to keep forever and a precious, inspiring gift for the ones you love.

In April 2009 alumni and friends of Catholic High School for Boys will gather to toast and roast a favorite of the school’s legendary faculty, Michael Moran, the author of Proudly We Speak Your Name. Only a stoic could complete a reading without a teary-eyed moment or two and many belly laughs. Faculty idiosyncrasies are recalled in this memoir, as are student antics. If it can happen within the walls of an all-boys high school, the author has probably seen it in his forty-one years of teaching. And he has probably reported on it in this book, which was written during his first year of "retirement.” While the spirit is often light, Moran’s book ends with a stirring tribute to the man who, though departed, still epitomizes the spirit of the place, the man whose name is now given to the school’s street, Father George Tribou. Readers will leave Moran’s account glad for the experience of following in his (remembered) footsteps.

DIMMANGALI is set in the early era of white settlement in South-East Queensland, between 1820 and 1842. It tells the story of Buruda, a proud aboriginal manager of the Undanbi people, custodians of the lands around Caloundra, and his leadership at this time. To these people, the land was a spiritual entity that gave life to all – humans and animals, and plants.

A new year at the University of Stancester, and Lydia Hawkins is trying to balance the demands of her studies with her responsibilities as an officer for the Christian Fellowship. Her mission: to make sure all the Christians in her hall stay on the straight and narrow, and to convert the remaining residents if possible. To pass her second year. And to ensure a certain secret stays very secret indeed. When she encounters the eccentric, ecumenical student household at 27 Alma Road, Lydia is forced to expand her assumptions about who's a Christian to include Quaker Becky, bells-and-smells Peter, and bisexual Methodist Colette. As the year unfolds, Lydia discovers that there are more ways to be Christian, and more ways to be herself, than she had ever imagined. Then a disgruntled member of the Catholic Society starts asking whether the Christian Fellowship is really as Christian as it claims to be, and Lydia finds herself at the centre of a row that will reach far beyond the campus.

“Speak my name so that I may live again” was often written on the walls of Egyptian tombs, imploring visitors to speak the names of the dead and make offerings on their behalf. These acts of continued remembrance sustained the dead in the afterlife. Speak My Name: Investigating Egyptian Mummies explores the coffins and mummies of Meruah, Padiashaikhet, Horus and Mer-Neith-it-es, who lived in Egypt between 1200 BCE and 100 CE and whose mummies and/or coffins are now in the Chau Chak Wing Museum at the University of Sydney. A multidisciplinary team provides new insights into mummification and coffin manufacture in ancient Egypt through a combination of scientific and Egyptological methods, including CT imaging, skeletal analysis, radiocarbon dating, and digital modelling and illustration. Their discoveries illuminate the personhood of the individuals these mummies and coffins represent. Advances in technology allow us to respectfully learn about their daily lives, including nutrition, health and disease. Beautifully illustrated, Speak My Name demonstrates how science and archaeology work together to help us better understand the past. By studying the life and death of Meruah, Padiashaikhet, Horus and Mer-Neith-it-es, we speak their names again.

The bestselling, award-winning modern classic Speak is now a stunning graphic novel—adapted by Laurie Halse Anderson herself and brought to life visually by Eisner Award winner Emily Carroll. "Speak up for yourself—we want to know what you have to say." From the first moment of her freshman year at Merryweather High, Melinda knows this is a big lie, part of the nonsense of high school. She is friendless, an outcast, because she busted an end-of-summer party by calling the cops. Now nobody will talk to her, let alone listen to her. As time passes, Melinda becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back—and refuses to be silent. The groundbreaking National Book Award Finalist and Michael L. Printz Honor Book about consent, healing, and finding your voice comes alive for new audiences and fans of the original novel in Speak: The Graphic Novel.