Speak Low is the tenth book from one of America's most distinctive—and one of poetry's most essential—contemporary voices. Phillips has long been hailed for work provocative in its candor, uncompromising in its inquiry, and at once rigorous and innovative in its attention to craft. Over the course of nine critically acclaimed collections, he has generated a sustained meditation on the restless and ever-shifting myth of human identity. Desire and loss, mastery and subjugation, belief and doubt, sex, animal instinct, human reason: these are among the lenses through which Phillips examines what it means to be that most bewildering, irresolvable conundrum, a human being in the world. These new poems are of a piece with Phillips's previous work in their characteristic clarity and originality of thought, in their unsparing approach to morality and psychology, and in both the strength and startling flexibility of their line. Speak Low is the record of a powerful vision that, in its illumination of the human condition, has established itself as a necessary step toward our understanding of who we are in the twenty-first century. Speak Low is a 2009 National Book Award Finalist for Poetry.

Selected letters trace the relationship of the composer and actress, who were married for twenty-four years

Whether you're seeking investors for the latest start-up or simply looking for that competitive edge, this book will help you articulate and sell the complex ideas that dominate our technology-driven business environment.

The Broadview Anthology of Drama: Plays from the Western Theatre is a chronological presentation of 43 plays in two volumes, ranging from the ancient theatre world to the present day. Each chapter focuses on a specific period and begins with an insightful introduction sketching the historical and theatrical landscape of that period. Contextualization for each play is provided through a thorough account of the literary and dramatic background of the play along with clear and comprehensive annotation. In addition, the editors have provided a glossary of terms used in the anthology to better equip students with a vocabulary for discussing the world of the stage.

The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were the Germans Marlene Dietrich and Lotte Lenya, whose careers extended through the 1970s. Because of them (and others), the words and music of such artists as Kurt Weill, Bertolt Brecht, Friedrich Hollaender, and Marcellus Schiffer continue to be heard and exert widespread influence. Major songwriters touched by cabaret include Lennon & McCartney, Bacharach & David, Kander & Ebb, Bob Dylan, Randy Newman, and Patti Smith, among many others. African-American artists, beginning with Louis Armstrong, have been sympathetic interpreters of cabaret music. Modern-day Las Vegas appears to be the fulfillment of a prophecy made in the late 1920s by Weill & Brecht in their Mahagonny stage works. And today, the German Kabarett tradition remains strong with such stars as Ute Lemper and Max Raabe packing international venues.