Reprints Spawn issues 113-125 (13 issues). Oversized HC format with bonus material. Contains the stories and artwork that helped cement the Spawn legacy. Featuring hyper-detailed art by Angel Medina (The Incredible Hulk, Sensational Spider-Man), and stories by legendary Spawn scribe Brian Holguin with Todd McFarlane. Expect old favorites and new villains to collide in this exciting hardcover collection with unique Spawn vs Villain wraparound digitally painted cover art by Clayton Crain. Updated Creator bio(s): Angel Medina (The Incredible Hulk, Sensational Spider-Man)

Featuring the stories and artwork by Spawn creator Todd McFarlane that laid the groundwork for the most successful independent comic book ever published. Spawn Origins Volume 2 includes classic Spawn stories written by Alan Moore and Frank Miller, as well as the introduction of memorable characters into the Spawn universe.

Featuring the stories and artwork (by Todd McFarlane himself!) that laid the groundwork for the most successful independent comic book ever published. Spawn Origins Volume 1 includes the introduction of not only Spawn, but also a number of other memorable and menacing characters, including Malebolgia and the Violator. Collects Spawn #1-6.

IT’S HERE: THE OFFICIAL INTRODUCTION TO THE LONG-AWAITED SPAWN’S UNIVERSE! A double-sized issue that begins a storyline so huge that three NEW SPAWN-related monthly titles will spill out from it, including… A new SPAWN title. GUNSLINGER SPAWN monthly. And a new TEAM book bringing a handful of these characters together in their own book. With this one-shot…the world of SPAWN changes forever! New heroes. New villains, and more importantly, new titles coming to a comic shop near you. Join this list of artists as we unveil a historic moment in the mythology of SPAWN’S UNIVERSE: JIM CHEUNG TODD McFARLANE STEPHEN SEGOVIA MARCIO TAKARA

SPAWN MAKES HISTORY! With this 300th issue, SPAWN becomes the longest-running independent series in comic book history. To celebrate, legendary artists TODD McFARLANE and GREG CAPULLO return with ALL-NEW interior pencils, with additional art provided by JASON SHAWN ALEXANDER, J. SCOTT CAMPBELL, and JEROME Opeña, a cavalcade of celebratory covers, and additional writing by SCOTT SNYDER! And next month, RECORDS WILL BE BROKEN with SPAWN #301! Retailers: see order form for incentives.

Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.

Spawn: The Dark Ages Complete Collection reprints the journey of Lord Covenant, a 12th Century knight killed in a holy crusade far from his homeland, who returns to Earth as a HellSpawn. As a plague of violence and turmoil blankets the English countryside, the Dark Knight must choose whether to align himself with the innocent inhabitants of the once-thriving kingdom, or with the malevolent forces of evil and corruption. Featuring behind-the-scenes bonus art and a cover gallery, Spawn: The Dark Ages Complete Collection is the first time the series will be collected in a hardcover, oversized format. Reprints issues #1-28.