pared Angola: Memories from a Cuban American Childhood is a powerful and original first collection of autobiographical stories, essays and poems. The successful novelist here lays bare the makings of his conscience as a writer and human being, detailing the psychological pressure of male expectations, family gender battles, emigration and adjusting to a new culture. Hoping to spare their only child the fate of thousands of young Cubans conscripted to fight in the revolution in Angola, Su‡rezÕs parents left Cuba, unaware of the sentence destiny would impose instead. Su‡rezÕs compelling piece invokes the agony and frustration borne of growing up in terminal exile and cultural limbo. From anguish and turmoil, the artist has wrought one of the most eloquent and commanding voices of contemporary American literature.

Ninety miles separate Cuba and Key West, Florida. Crossing that distance, thousands of Cubans have lost their lives. For Cuban American poet Virgil Suarez, that expanse of ocean represents the state of exile, which he has imaginatively bridged in over two decades of compelling poetry. "Whatever isn't voiced in time drowns," Suarez writes in "River Fable," and the urgency to articulate the complex yearnings of the displaced marks all the poems collected here. 90 Miles contains the best work from Suarez's six previous collections: You Come Singing, Garabato, In the Republic of Longing, Palm Crows, Banyan, and Guide to the Blue Tongue, as well as important new poems. At once meditative, confessional, and political, Suarez's work displays the refracted nature of a life of exile spent in Cuba, Spain, and the United States. Connected through memory and desire, Caribbean palms wave over American junk mail. Cuban mangos rot on Miami hospital trays. William Shakespeare visits Havana. And the ones who left Cuba plant trees of reconciliation with the ones who stayed. Courageously prolific, Virgil Suarez is one of the most important Latino writers of his generation.

ñSo much left behind. Our house. Our family. Our lives together,î Virgil Suàrez writes in his memoir of life as a Cuban refugee. Beginning with the saga of the balseros that unfolds before SuàrezÍs eyes, when, at his motherÍs insistence, he turns on the TV and witnesses a confrontation between the Coast Guard and the Cuban rafters, Suàrez draws his memories of his family and friendsÍ leaving Cuba and ties these through verse and prose to his experience of exile. Rather than decry the politics of persecution under a dictatorship or celebrate the freedoms enjoyed in the United States, Suàrez instead brings to life his memories on the page. Suàrez writes, ñThose old ghosts of places we knew, lived in moments we survived, those are the things IÍm afraid of.î But those old ghosts populate his stories: the shadows of his extended family standing on the other side of the glass at the departure gate in the airport, the next-door neighbor of his childhood with whom he plays firing squad, his motherÍs last wish to return to Cuba, and his promise to his father not to return until a change comes to Cuba. SuàrezÍs poignant tales of family disintegration, culture shock and separation are only matched by his examples of people struggling for the strength to live their modest lives and to preserve their memories in the face of the challenges of the new society around them. He sees in the raft people, in the dissidents, in the newly-minted American citizens? the same creative will that launched his own career as a writer.

The Cuban revolution of 1959 initiated a significant exodus, with more than 700,000 Cubans eventually settling in the United States. This community creates a major part of what is now known as the Cuban diaspora. In Cuban-American Literature of Exile, Isabel Alvarez Borland forces the dialogue between literature and history into the open by focusing on narratives that tell the story of the 1959 exodus and its aftermath. Alvarez Borland pulls together a diverse array of Cuban-American voices writing in both English and Spanish--often from contrasting perspectives and approaches--over several generations and waves of immigration. Writers discussed include Guillermo Cabrera Infante, Reinaldo Arenas, Roberto Fernandez, Achy Obejas, and Cristina Garcia. The author's analysis of their works uncovers a movement from narratives that reflect the personal loss caused by the historical fact of exile, to autobiographical writings that reflect the need to search for a new identity in a new language, to fictions that dramatize the authors' constructed Cuban-American personae. If read collectively, she argues, these sometimes dissimilar texts appear to be in dialogue with one another as they all document a people's quest to reinvent themselves outside their nation of origin. Cuban-American Literature of Exile encourages readers to consider the evolution of Cuban literature in the United States over the last forty years. Alvarez Borland defines a new American literature of Cuban heritage and documents the changing identity of an exiled literature.

Offers a detailed picture of the lives of Cuban Americans through interviews with artists, writers, and philosophers. This fascinating volume contains interviews with nineteen prominent Cuban-American artists, writers, and philosophers who tell their stories and share what they consider important for understanding their work. Struggling with issues of Cuban-American identity in particular and social identity in general, they explore such questions as how they see themselves, how they have dealt with the diaspora and their memories, what they have done to find a proper place in their adopted country, and how their work has been influenced by the experience. Their answers reveal different perspectives on art, literature, and philosophy, and the different challenges encountered personally and professionally. The interviews are gathered into three groups: nine artists, six writers, and four philosophers. An introductory essay for each group is included, and the interviews are accompanied by brief biographical notes, along with samples of the work of those interviewed. Jorge J. E. Gracia is SUNY Distinguished Professor and Samuel P. Capen Chair in Philosophy at the University at Buffalo, State University of New York. His many books include Race or Ethnicity? On Black and Latino Identity. Lynette M. F. Bosch is Professor of Art History at SUNY College at Geneseo and author of Cuban-American Art in Miami: Exile, Identity and the Neo-Baroque. Isabel Alvarez Borland is Monsignor Edward G. Murray Professor of Arts and Humanities at the College of the Holy Cross and author of Cuban-American Literature of Exile: From Person to Persona.

Unlike any other book of its kind, this volume celebrates published works from a broad range of American ethnic groups not often featured in the typical canon of literature. This culturally rich encyclopedia contains 160 alphabetically arranged entries on African American, Asian American, Latino/a, and Native American literary traditions, among others. The book introduces the uniquely American mosaic of multicultural literature by chronicling the achievements of American writers of non-European descent and highlighting the ethnic diversity of works from the colonial era to the present. The work features engaging topics like the civil rights movement, bilingualism, assimilation, and border narratives. Entries provide historical overviews of literary periods along with profiles of major authors and great works, including Toni Morrison, Maxine Hong Kingston, Maya Angelou, Sherman Alexie, A Raisin in the Sun, American Born Chinese, and The House on Mango Street. The book also provides concise overviews of genres not often featured in textbooks, like the Chinese American novel, African American young adult literature, Mexican American autobiography, and Cuban American poetry.