Theodore had always hated insects. He didn't know why, it was just a fact like it was a fact that spiders have eight legs. He never thought it was much of a problem, just a phobia. But when he met more and more insects he couldn't hide from them anymore.

"A smart, sparkling novel that is one part social satire, one part travelogue . . . Comical and cool.” —Oprah Daily In Katie Crouch's thrilling novel Embassy Wife, two women abroad search for the truth about their husbands—and their country. Meet Persephone Wilder, a displaced genius posing as the wife of an American diplomat in Namibia. Persephone takes her job as a representative of her country seriously, coming up with an intricate set of rules to survive the problems she encounters: how to dress in hundred-degree weather without showing too much skin, how not to look drunk at embassy functions, and how to eat roasted oryx with grace. She also suspects her husband is not actually the ambassador’s legal counsel but a secret agent in the CIA. The consummate embassy wife, she takes the newest trailing spouse, Amanda Evans, under her wing. Amanda arrives in Namibia mere weeks after giving up her Silicon Valley job so her husband, Mark, can have his family close by as he works on his Fulbright project. But once they’re settled in the sub-Saharan desert, Amanda sees clearly that Mark, who lived in Namibia two decades earlier, has other reasons for returning. Back in the safety of home, the marriage had seemed solid; in the glaring heat of the Kalahari, it feels tenuous. And the situation grows even more fraught when their daughter becomes involved in an international conflict and their own government won’t stand up for her. How far will Amanda go to keep her family intact? How much corruption can Persephone ignore? And what, exactly, does it mean to be an American abroad when you’re not sure you understand your country anymore? Propulsive and provocative, Embassy Wife asks what it means to be a human in this world, even as it helps us laugh in the face of our own absurd, seemingly impossible states of affairs.

From the Afghan-Pakistan borderlands to the Sahara, images of danger depict a new world disorder on the global margins. With vivid detail, Ruben Andersson traverses this terrain to provide a startling new understanding of what is happening in remote "danger zones." Andersson takes aim at how Western states and international organizations conduct military, aid, and border interventions in a dangerously myopic fashion, further disconnecting the world's rich and poor. Risk-obsessed powers are helping to remap the world into zones of insecurity and danger, resulting in a vision of chaos crashing into fortified borders. Andersson contends that we must reconnect and snap out of this dangerous spiral, which affects us no matter where we are. Only by developing a new cartography of hope can we move beyond the political geography of fear that haunts us. From back cover.

Jenny Sue Kostecki-Shaw's Papa Brings Me the World is a poignant picture book that celebrates the bond between parent and child, and follows their long-distance trip around the world. Most parents drive a car or ride a bus or train to work—but not Lulu’s papa. He navigates mountains, deserts, and oceans, each time returning home with pockets full of treasures. There’s an ancient calculator from China, a musical mbira from Zimbabwe, and a special game from Sumatra. But the best treasures are special stories Papa tells when he comes home—tales of playing peekaboo with rare birds in the Andes and befriending dragons in the Irish Sea. This long-distance love story between parent and child celebrates inclusivity, imagination, and the richness of global cultures. Christy Ottaviano Books

The tale of an Englishman making a life for himself in SenegalKhady pulled out a breast and with a deadly aim fired milk at the chameleon. "If I don't offer it milk, our son will grow up to look like a lizard," she explained. Clearly I had a lot to learn about life in Africa.On the cusp of middle age, Simon Fenton leaves Britain in search of adventure and finds Senegal, love, fatherhood, witch doctors—and a piece of land that could make a perfect guest house, if only he knew how to build one. The Casamance is an undiscovered paradise here mystic Africa governs life, people walk to the beat of the djembe, when it rains it pours, and the mangoes are free. But the fact that his name translates to "vampire" and he has had a curse placed on him via the medium of eggs could mean Simon's new life may not be so easy.

Now part of the eponymous HBO docuseries written and directed by Raoul Peck, “Exterminate All the Brutes” is a brilliant intellectual history of Europe’s genocidal colonization of Africa—and the terrible myths and lies that it spawned “A book of stunning range and near genius. . . . The catastrophic consequences of European imperialism are made palpable in the personal progress of the author, a late-twentieth-century pilgrim in Africa. Lindqvist’s astonishing connections across time and cultures, combined with a marvelous economy of prose, leave the reader appalled, reflective, and grateful.” —David Levering Lewis “Exterminate All the Brutes,” Sven Lindqvist’s widely acclaimed masterpiece, is a searching examination of Europe’s dark history in Africa and the origins of genocide. Using Joseph Conrad’s Heart of Darkness as his point of departure, the award-winning Swedish author takes us on a haunting tour through the colonial past, interwoven with a modern-day travelogue. Retracing the steps of European explorers, missionaries, politicians, and historians in Africa from the late eighteenth century onward, “Exterminate All the Brutes” exposes the roots of genocide in Africa through Lindqvist’s own journey through the Saharan desert. As he shows, fantasies not merely of white superiority but of actual extermination—“cleansing” the earth of the so-called lesser races—deeply informed the colonialism and racist ideology that ultimately culminated in Europe’s own Holocaust. Conquerors’ stories are the ones that inform the self-mythology of the West—whereas the lives and stories of those displaced, enslaved, or killed are too often ignored and forgotten. “Exterminate All the Brutes” forces a crucial reckoning with a past that still echoes in our collective psyche—a reckoning that compels us to acknowledge the exploitation and brutality at the heart of our modern, globalized society. As Adam Hochschild has written, “Lindqvist’s work leaves you changed.”

Hired to interview a Canadian artist on the 25th anniversary of his most infamous creation, "The Dying Athabaskan," Ritu Agarwal wonders if she may be getting in over her head: Niall O'Keevan, a notorious fabulist, hates to talk about himself or his work and he has been known to spin lies and tell tales. Yet Ritu needs the work, and when she meets O'Keevan at his studio, he begins to tell her the story behind the sculpture of a bizarre, shattered man: how much of it is true, and has the young freelancer discovered the key when she wonders aloud if the statue is really three people pieced together into one monstrous form. . . ? "The Dying Athabaskan" won Twelve Winters Press's Publisher's Long Story Prize.