Spanish Polychrome Sculpture 1500-1800 in United States Collections [exposición]

Spanish Polychrome Sculpture 1500-1800 in United States Collections [exposición]
Title Spanish Polychrome Sculpture 1500-1800 in United States Collections [exposición] PDF eBook
Author Suzanne L. Stratton
Publisher Spanish Inst
Pages 192
Release 1994
Genre Art
ISBN 9780295973906

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It is the mission of The Spanish Institute to foster a wider understanding of the history and culture of Spain in the United States and its influence on the heritage of this country. This exhibition, which will travel from our galleries in the far northeast to southern California via Texas, literally delivers our message far and wide.

Spanish Polychrome Sculpture 1500-1800 in United States Collections

Spanish Polychrome Sculpture 1500-1800 in United States Collections
Title Spanish Polychrome Sculpture 1500-1800 in United States Collections PDF eBook
Author Suzanne L. Stratton-Pruitt
Publisher
Pages 204
Release 1993
Genre Altarpieces
ISBN

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Polychrome Art in the Early Modern World

Polychrome Art in the Early Modern World
Title Polychrome Art in the Early Modern World PDF eBook
Author Ilenia Colón Mendoza
Publisher Taylor & Francis
Pages 271
Release 2024-07-04
Genre Art
ISBN 1040043348

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This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.

Italian and Spanish Sculpture

Italian and Spanish Sculpture
Title Italian and Spanish Sculpture PDF eBook
Author Peggy Fogelman
Publisher Getty Publications
Pages 378
Release 2002-12-26
Genre Art
ISBN 0892366893

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The catalogue is abundantly illustrated, including multiple views of each sculpture."--BOOK JACKET.

The Cristos yacentes of Gregorio Fern?ez

The Cristos yacentes of Gregorio Fern?ez
Title The Cristos yacentes of Gregorio Fern?ez PDF eBook
Author Ilenia Col?n Mendoza
Publisher Routledge
Pages 284
Release 2017-07-05
Genre Art
ISBN 1351545280

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Analyzing seventeenth-century images of the dead Christ produced by Gregorio Fern?ez, author Ilenia Col?endoza investigates how and why the artist and his patrons manipulated these images in connection with the religious literature of the time to produce striking images that moved the faithful to devotion. In so doing, she contributes new findings to the topic of Spanish sacred sculpture. The author re-examines these sculptures not only in the context of a larger sculptural group but also as independent sculptures that were intended as powerful aids to contemplation and devotion as was prescribed by the writings of San Juan de la Cruz and Luis de Granada. Combining study of the sculptural works with that of liturgical sources, she reveals the connection between the written word and the sculpted work of art. Through this interdisciplinary approach, the author links Fern?ez's sculptural program with the strategic objectives of major patrons of the period, such as the Duke of Lerma and King Philip III of Spain, both fervent defenders of the Catholic faith.

The Eye and the Beholder

The Eye and the Beholder
Title The Eye and the Beholder PDF eBook
Author Hannelore Hägele
Publisher Cambridge Scholars Publishing
Pages 343
Release 2014-06-02
Genre Art
ISBN 1443861006

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In The Eye and the Beholder the author singles out a topic already touched upon in her previous book, Colour in Sculpture. By raising the question of how significant the colouring of the eye is to figurative representations of the late medieval and early modern period, Hannelore Hägele examines the different solutions open to the sculptor, which vary depending on historical and cultural parameters. The created eye must suit purpose and style. She discusses a number of unusual aspects of this: sculpted eyes in antiquity; the art and craft of polychromy; partial polychromy; emotions and expressions; the gaze and the glance; from the sculpted eye to colour and the glass eye; and what the eye cannot see. Dr Hägele asks whether advances in optics and other sciences, or theological concepts such as the eye of God and the inner eye, determined the way in which eyes were perceived and represented. It is the beholder, whether as maker or viewer, who engages with and judges the worth of any creative effort and what it contributes to an understanding of the seen and the unseen. The illustrations and the many coloured plates accompanying the text offer an overview of the subject.

Baroque Seville

Baroque Seville
Title Baroque Seville PDF eBook
Author Amanda Wunder
Publisher Penn State Press
Pages 499
Release 2017-03-01
Genre Art
ISBN 027107941X

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Baroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens. Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos—divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization. Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville’s hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.