Christine Arkinstall’s historical and literary study of female freethinking intellectuals in fin-de-siècle Spain examines the contributions of three intellectuals, Amalia Domingo Soler, Angeles López de Ayala, and Belén Sárraga, to the development of feminist consciousness and democracy. These women wrote for, edited, and published radical and feminist periodicals that, until now, have been left unstudied. This significant gap in the scholarship has left us without an accurate sense of Spanish women’s involvement in the public realm. Spanish Female Writers and the Freethinking Press, 1879–1926 recovers the lost history and literary contributions these women made to the so-called Generation of 1898. Using their extensive published works, Arkinstall not only illuminates the lives of Domingo Soler, López de Ayala, and Sárraga, but traces the connections between feminism, freethinking, republicanism, freemasonry, anarchism, and socialism. By placing these women’s work in the broader literary, social, and political context of the period, Arkinstall’s study makes a major contribution to our understanding of the central role of women in late-nineteenth and early-twentieth-century democracy in Spain.

Explores the contributions of three female free-thinkers to the development of feminist consciousness and democracy, examining their lives and works to discover their contributions to the Generation of 1898 in Spain.

Desiring the working class: a Spanish feminist, a bishop, an oligarchic state, and worker sexuality, circa 1913 -- Desiring the patriarchal state through military discipline in Cold War prison camps, 1947 and 1973 -- Sex and the new man in socialist revolution: ideologies and practices, circa 1973 -- Gendered erotics in the space of death: from military dictatorship to civilian market-state, circa 1999 -- Conclusion and epilogue: the desire to govern and the governing of desire.

The four decades between the two Universal Exhibitions of 1888 and 1929 were formative in the creation of modern Barcelona. Architecture and art blossomed in the work of Antoni Gaudi­ and many others. At the same time, social unrest tore the city apart. Topics such as art nouveau and anarchism have attracted the attention of numerous historians. Yet the crucial role of science, technology and medicine in the cultural makeup of the city has been largely ignored. The ten articles of this book recover the richness and complexity of the scientific culture of end of the century Barcelona. The authors explore a broad range of topics: zoological gardens, natural history museums, amusement parks, new medical specialities, the scientific practices of anarchists and spiritists, the medical geography of the urban underworld, early mass media, domestic electricity and astronomical observatories. They pay attention to the agenda of the bourgeois elites but also to hitherto neglected actors: users of electric technologies and radio amateurs, patients in clinics and dispensaries, collectors and visitors of museums, working class audiences of public talks and female mediums. Science, technology and medicine served to exert social control but also to voice social critique. Barcelona: An urban history of science and modernity (1888-1929) shows that the city around 1900 was both a creator and facilitator of knowledge but also a space substantially transformed by the appropriation of this knowledge by its unruly citizens.

Engaging with pre-feminist and male-authored crime literature, Resisting Invisibility offers a comparative reading of women's bodies as represented in Spanish crime literature from the mid-nineteenth century to the present. Utilizing the twin concepts of visibility and invisibility, the book establishes a genealogy of differing viewpoints regarding women's positions in these narratives, before and after the birth of the modern Spanish female detective. This examination of the politics of female visibility expands our understanding of the aesthetic regimes that have governed the female body from the early phases of the genre's evolution. While most scholars understand the feminization of the crime genre as a response to second-wave feminism, Resisting Invisibility demonstrates that even in the earliest representations of delinquent women, the politics surrounding the female body are problematized and are more complex than previously conceptualized. Drawing on gender and queer studies, Resisting Invisibility investigates the gendering of crime fiction, forcing us to reconsider the literary history of female visibility and prompting us to establish an alternative genealogy for Spanish crime literature.

The epic poems written during the rise of Portugal and Spain on the global stage often dealt with topics quite unimaginable to the likes of Virgil or Homer. These poems reveal the astounding opportunities for upward social mobility and self-promotion afforded by broader access to print and the vast amount of knowledge and material wealth accrued through maritime exploration. Iberian poets of the period were quite cognizant of their ventures into uncharted territory, and that awareness informed their literary journeys. The War Trumpet features nine substantial essays that expand our understanding of Iberian Renaissance epic poetry by posing questions seldom raised in relation to poems such as La Araucana, Os Lusíadas, Carlo famoso, El Bernardo, Arauco Domado, Espejo de paciencia, and Felicissima Victoria, among others. Particularly compelling are questions concerned with early modern understandings of the natural world, the practice of poetic imitation, the discipline of cartography, or the reception of Petrarchism in the newly established viceroyalties of the New World. Fostering a greater appreciation of the intersection between poetry, war, and exploration, The War Trumpet sheds light on the transformative changes that took place during the period of Iberian expansion.