This printed material is a chronological history of dance, bringing together many different dancers and styles, a unification of Spanish art-forms. We have seen a handful of dance biographies always declaring the career of their subject as the most important. Let's place into perspective that we had many dancers during the same time frame and each one contributed, some more than others. Noting the artistic contributions made by these performers made it easier to review the period of Spanish dance as an 'era'. We took these performers and placed them into one account, foretelling how this style of dance contributed to the overall American style of the Spanish dance. Americans Ted Shawn, Ruth St. Denis, La Meri, Carmelita Maracci and Ballet Russes Anna Pavlova, Adoph Bolm and Leonide Massine were all in some way affected by the Spanish dance. Even Hollywood and Broadway were instrumental in the birth of Hispanic culture in the country. In this first book I have highlighted the careers of two artists, La Argentina and Vicente Escudero, both worked together forming a part-time partnership important in this early era. Later Spaniards who exemplified the art-form in America were La Argentinita, Pilar Lopez, Rosario & Antonio, Jose Greco, and Nana Lorca whos reflections are mirrored within these pages and later editions.

This book also traces the evolution of the Spanish Dance technique, marked as it is by a turbulent history. Antonio Triana was a dancer of mature artistry, dignity and power. His physical and technical achievements went beyond what is generally known about Spanish Dance. His dance presented the essence of the Spanish character and, in his choreography, he used his traditional background for his brilliant inspirations. He partnered the legendary La Argentinita, Pilar Lopez and Carmen Amaya with spirit and gallantry. Over the years he developed a very distinct method of teaching and he became one of the foremost Spanish Flamenco dancers and teachers of his time. Rita Vega de Triana formed the Triana Ballet Español with her late husband. She currently teaches Hispanic dance and related subjects at the University of Texas at El Paso and directs her own school as well as performing around the United States as a guest artist and choreographer.

Arguably the world's most popular partnered social dance form, salsa's significance extends well beyond the Latino communities which gave birth to it. The growing international and cross-cultural appeal of this Latin dance form, which celebrates its mixed origins in the Caribbean and in Spanish Harlem, offers a rich site for examining issues of cultural hybridity and commodification in the context of global migration. Salsa consists of countless dance dialects enjoyed by varied communities in different locales. In short, there is not one dance called salsa, but many. Spinning Mambo into Salsa, a history of salsa dance, focuses on its evolution in three major hubs for international commercial export-New York, Los Angeles, and Miami. The book examines how commercialized salsa dance in the 1990s departed from earlier practices of Latin dance, especially 1950s mambo. Topics covered include generational differences between Palladium Era mambo and modern salsa; mid-century antecedents to modern salsa in Cuba and Puerto Rico; tension between salsa as commercial vs. cultural practice; regional differences in New York, Los Angeles, and Miami; the role of the Web in salsa commerce; and adaptations of social Latin dance for stage performance. Throughout the book, salsa dance history is linked to histories of salsa music, exposing how increased separation of the dance from its musical inspiration has precipitated major shifts in Latin dance practice. As a whole, the book dispels the belief that one version is more authentic than another by showing how competing styles came into existence and contention. Based on over 100 oral history interviews, archival research, ethnographic participant observation, and analysis of Web content and commerce, the book is rich with quotes from practitioners and detailed movement description.

The Thea Sisters are visiting friends in Spain when a mysterious theft turns their trip into an investigation! They end up hot on the trail of a secret treasure. The mouselets are in for an incredible adventure full of flamenco dance!

Granados's 12 Spanish Dances is a cycle of keyboard vignettes depicting Spanish life. This is the first critical edition published in the United States that includes Granados's final revisions. Performance notes, historical information and a glossary of Spanish terms are included. This edition aids in interpretation through added fingerings, editorial pedal, and indications for subtle changes in tempo, which are integral to the performance of Spanish music. Dr. Kuehl-White studied in Barcelona with legendary Spanish pianist Alicia de Larrocha, who provided a tremendous legacy regarding the performance practice traditions of Granados's music. Titles: * Galante * Oriental * Fandango * Villanesca * Andaluza * Rondalla Aragonesa * Valenciana * Asturiana * Romántica * Melancólica * Arabesca * Bolero

"The Little Spanish Dancer" by Madeline Brandeis is a captivating children's book that takes young readers on an enchanting journey into the world of dance, culture, and friendship. The story follows the adventures of young Dolores, a spirited and talented girl living in a picturesque Spanish village. Dolores possesses a deep passion for dancing, and she dreams of becoming a professional dancer one day. When a renowned dance company visits her village, Dolores seizes the opportunity to audition for a spot in the troupe. However, she faces obstacles and challenges along the way, including the doubts of some villagers who believe that dancing is not a suitable pursuit for a young girl. As Dolores embarks on her quest to follow her dreams, she forms a special bond with a traveling circus troupe and its young performer, Pancho. Together, they navigate the joys and trials of pursuing their artistic passions. The story beautifully explores themes of determination, friendship, and the importance of staying true to one's dreams and identity. Madeline Brandeis weaves a tale that is not only rich in storytelling but also celebrates the vibrant culture and traditions of Spain. Through Dolores' journey, readers are introduced to the colorful world of Spanish dance, music, and customs. "The Little Spanish Dancer" is a story of empowerment and self-discovery, where young readers can find inspiration to pursue their own dreams and interests. It emphasizes the idea that with dedication, hard work, and the support of friends and family, one can overcome obstacles and achieve their goals. In summary, "The Little Spanish Dancer" is a heartwarming and culturally rich children's book that encourages readers to embrace their passions, overcome challenges, and celebrate the beauty of different cultures. It remains a cherished story that continues to captivate young imaginations and inspire them to follow their own dreams.